Mega Bold M Lettermark Logo

<n>Hatton</n> typeface by <n>Mathieu Desjardins</n> and <n>XX</n>, updated by <n>Morgane Vantorre</n>. Visual by <n>Sergio Lairisa</n>.

<n>Minimal NC Logo Design</n> by <n>Sabuj Ali</n>.

The variable typeface <n>Solare</n>, designed by <n>Nikolas Type</n>.

The <n>Asoma V2</n> variable typeface designed by <n>James Plattner</n>.

<n>Photo Master Logo</n> by designer <n>arief</n>.

A spread from <n>Sophie Calle | Hacedores de Mundo</n>, an editorial project by designer <n>Ayelen Macchia</n>.

Contemporary Decor, Furniture, Lighting and Accessories – Matter

Kinetic Type 'G' by motion designer <n>Syddharth Mate</n> for the <n>36 Days of Type</n> project.

Vintage <n>JBL 4648A</n> speaker. Photo by <n>Iwan Arjanto</n>.

オンマカキャロニキャソワカ oM mahaa-k

Richard Baird – Building tools and resources for designers.

<n>野生のしっそう 障害、兄、そして人類学とともに</n>, a book by <n>猪瀬浩平</n> published by <n>左右社</n> in 2023.

From <n>Terayama Shuji</n>'s 1971 art book <n>Blind Man’s Letter / Stage Poems</n>, with design by <n>Enomoto Ryoichi</n>.

Photo by <n>Agnes Saaby Thomsen</n> of <n>Kimsooja</n>'s installation '<n>Weaving the Light</n>' at <n>Cisternerne</n>.

Design for <n>The New York Times Magazine</n> with creative direction by <n>Gail Bichler</n> and <n>Ben Grandgenett</n>.

The graphic design project <n>APOTHEOSIS</n>, based on <n>Stanisław Lem</n>'s book <n>The Futurological Congress</n>.

<n>Garnier & Linker</n>'s <n>KAMI collection</n> in urushi lacquer. Set design by <n>Charlotte de La Grandière</n>. Photo by <n>Julien T. Hamon</n>.