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Unpublished design for the <n>Lamar Porcelain Slabs Catalog</n> by <n>Baillat Studio</n>.

A spread from <n>New Utilitarian</n>, a book by <n>victionary</n> designed by <n>BD85</n>, featuring <n>Archisearch the Paper Edition</n>.

Branding for <n>Rowe Photography</n> in a <n>Swiss Design</n> style.

A look from <n>WE.RE</n>'s Autumn/Winter 2021 lookbook, featuring model <n>Michael Wong</n>.

The <n>Out of Order</n> catalog, designed by <n>Daily Dialogue</n> for the <n>Haubrok Foundation</n>.

<n>Multi Form</n>'s brand literature for <n>QuadroDesign</n>'s 2024 rebranding. Photography by <n>Luca A. Caizzi</n>.

Catalog for the exhibition <n>L’envers de la pupille</n> by artist <n>Odile Maarek</n> at <n>Galerie Bernard Jordan</n>.

Catalogue for <n>Nil Yalter</n>'s 2020 exhibition at <n>MAC VAL</n>, authored by <n>Fabienne Dumont</n>.

A spread from <n>Samuel Ross</n>'s book <n>Object - Form - Sound</n>, published by <n>The Vinyl Factory</n>.

The publication <n>Standort Freigabe</n> for the <n>Spacing Projekt</n>, designed by <n>Marcel Saidov</n>.

The <n>Aeonik Pro</n> typeface by <n>CoType Foundry</n>, in a specimen book designed by <n>Semiotik Design</n> and printed by <n>Future Format</n>.

Identity design for architecture studio <n>Esquera Diez (P10)</n> by <n>Mubien Brands</n>.

<n>Off Cuts installation leaflet</n> designed by <n>Heim+Viladrich</n> using the <n>Armag</n> typeface by <n>Blaze Type</n>.

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Branding materials for design and manufacturing company <n>Untitled MFG</n>.

Invitation for the <n>Heliot Emil</n> <n>'Solitary Uniform'</n> AW22 show at <n>Paris Fashion Week</n>.

A graphic poster detailing statistics for the Montréal-based design studio <n>Office of Demande Spéciale</n>.

Visual identity for <n>NM3</n> by <n>Giga</n>.

Graphic design for the <n>Tide Sketch No</n> exhibition by <n>Yehudi Hollander-Pappi</n>.

<n>Standort Freigabe</n>, a publication designed by <n>Marcel Saidov</n> and <n>Michael Clasen</n> for <n>Spacing Projekt</n>.

Design for <n>New Society</n>'s book by <n>Plus Mûrs</n>. Photo by <n>Geoffrey Chevtchenko</n>.

<n>EB Trainer Grotesk</n> typeface by <n>Antoine Elsensohn</n> for <n>The Gentlewoman</n>. Graphic design by <n>Florine Bonaventure</n>.

The <n>WOOD WOOD 2-22</n> book, celebrating the brand's 20th anniversary. Designed by <n>Wrong Studio</n>.

Newspaper for <n>The Most Beautiful Swiss Books of 2022</n> exhibition at <n>Pratt Institute</n>, designed by <n>Scott Vander Zee</n>.

Newspaper for the <n>Most Beautiful Swiss Books × Pratt</n> exhibition, 2022. Typeface is <n>Exvoto</n>.

Layout by <n>vice versa</n> for <n>Yulia Bas</n>'s book, <n>Fragments of self perception</n>, in <n>Slanted Magazine</n>.

Design for <n>Ai Weiwei</n>'s <n>Safety Jackets Zipped the Other Way</n> manual by <n>Fabio Menet</n> and <n>Louis Vaucher</n>.

The <n>Typopassage 21</n> poster features a poem by <n>Hicran Ergen</n>, set in the <n>RJ Schema</n> typeface by <n>Robert Janes</n>.

<n>Undercover AW2002 'Witch's Cell Division' Cross Rug</n> by designer <n>Jun Takahashi</n>.

Spreads from the book for <n>Rzeszów</n>'s <n>European Capital of Culture</n> 2029 bid. Design by <n>Aleksander Znosko Studio</n>.

<n>Masters of Many</n>, a podcast and thesis project by <n>Giacomo Bastianelli</n> for <n>ECAL</n>.

Announcement for <n>Esxence 2024</n>, held from March 6-9, 2024, in Milan, Italy.