BFCM 25

Branding for fiction podcast <n>Realm</n> by <n>Mother Design</n>, 2021.

Branding for the <n>OpenAI API</n> from <n>OpenAI</n>.

Ocean Data Immersive Experience Public Art 😍😍

<n>Planet Earth Control Deck</n>, an animated infographic by artist <n>Eleanor Lutz</n>, 2015.

Poster for the 2017 <n>Les Urbaines</n> festival, designed by <n>Eurostandard</n>.

Spread from <n>Things I Learned</n>, a hand silkscreen print.

Infrared view of the <n>Andromeda Galaxy</n> and its companions, <n>M32</n> and <n>M110</n>, by <n>NASA</n>'s <n>WISE</n> telescope, 2010.

Digital illustrations by <n>Marco Cheatham</n> and <n>James Boorman</n> for creative agency <n>Column Five</n>.

A surrealist landscape by artist <n>Al Mefer</n>.

A visualization of <n>Undulator radiation</n> from a 2004 paper by scientist <n>T. Shintake</n>.

Ivan Chermayeff and Thomas H. Geismar | Cary Graphic Arts Collection

Arabic Typographic Posters by Mohamed Samir | Inspiration Grid

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<n>Wriggle</n> is an experimental typeface by <n>Jonathan Hill</n>, created for the <n>36 Days of Type</n> challenge.

Usage example of the <n>Aeonik Fono</n> typeface from <n>CoType Foundry</n>, designed by <n>Giulia Boggio</n> for <n>TYPE01</n>.

A digital collage of <n>Windows 95</n> UI elements, an example of the <n>Webcore</n> aesthetic.

Cover of <n>Computer Music 1976/77: a directory to current work</n>, edited by <n>William Buxton</n>.