From <n>Comme des Garçons</n>' <n>Six Magazine Number 3</n>, art directed by <n>Rei Kawakubo</n> in 1989.

Stainless steel record unit by <n>Leon Mckay</n>.

Cover art for the song <n>Monochrome</n> by musician <n>Hunter Metts</n>.

A performance by the Japanese <n>Butoh</n> dance company <n>Sankai Juku</n>.

A sculpture by artist <n>Alexa de Castilho</n>.

A DJ setup from musician <n>Francis Cromarty</n>.

<n>Untitled (Science)</n> (1958-61), a photogram by <n>Berenice Abbott</n> for an MIT physics textbook.

<n>Interruptions</n> (1968) by artist <n>Vera Molnar</n>.

A <n>Jōmon figurine</n> from the 1959 book 'Jomon clay figurines' by <n>Kinokuniya Shoten</n>.

<n>Yves Klein</n>'s <n>Peinture de feu sans titre (F 27)</n>, 1961. Photo by <n>Charles Wilp</n>.

<n>Edward Bluemel</n> for <n>Exit Magazine</n>'s 'Burning Love' editorial, photographed by <n>Josh Hight</n>.

“No tree can grow to heaven unless its roots reach down to hell.”  —Carl Jung

Business cards for <n>Baltan Laboratories</n> co-directors <n>Lorenzo Gerbi</n> and <n>Marlou van der Cruijsen</n>.

The <n>ZEMLYA collection</n> of <n>futuro-archaic</n> ceramic sculptures by artist <n>Serhii Makhno</n>.

Arches of <n>Rievaulx Abbey</n> in North Yorkshire, 1988. Photo by <n>English Heritage / Heritage Images</n>.

Zrcadlo mirror by designer <n>Rick Owens</n>.

DJ booth designed and photographed by <n>Niccoló Gasparoli</n>.

A volcanic stone <n>Mace or staff head</n> from Costa Rica, c. 1000-1500 AD.

A photograph by <n>Philomena Famulok</n>.

From the series <n>Quiet in the Chaos</n> by photographer <n>Aleksandr Babarikin</n>.