The personal branding concept <n>LAYERS</n> by graphic designer <n>Philip Rempel</n> of <n>REZTOKIA</n>.

<n>The Chain Garment: Garments as Spaces for Coexistence</n>, a research project by artist <n>alice</n>.

<n>L'été</n>, a 1937 drawing-poem by artist <n>Joan Miró</n>.

<n>3:00 A.M.</n> by artist <n>Alex Huanfa Cheng</n>.

Two-year-old <n>Colleen Watson</n> with a parakeet named <n>Chipper</n> on her head, 1955. Photo by <n>Bettmann</n>.

Chamber pots as cooking pots. Blankets as fuel. Cooking was no easy task for those in prison. Moreover, it was illegal. But that did not stop male inmates in Singapore’s prisons and Drug Rehabilitation Centres (DRCs) during the 1970s and 1980s. Driven by the desires for a hot meal and a sense of ...

Sheere Ng and Don Wong - When Cooking Was a Crime - Printed Matter

An image associated with the writing club <n>lo que nos habita</n> by <n>Luisa Robledo Restrepo</n>.

Inspirational graphic about journaling by <n>Wilde House Paper</n>.

The residence known conceptually as <n>La Casa Umbral</n> (The Threshold House).

Branding for <n>Neighborhood Coffee</n> in Hangzhou, designed by <n>Herbr Lin</n>.

<n>I think about thinking</n>, 2000, by photographer <n>Duane Michals</n>.

Program for <n>Caged Time</n> by <n>Shakespeare's Wild Sisters Group</n>, 2017. Design by <n>Elmo Wu</n>.

A massing model for <n>A Simple Rural Dwelling</n> in Northern Ireland by <n>McGonigle McGrath</n>.

Poem <n>Old Souls</n> by <n>Nikita Gill</n>.

Poster by <n>Mihajlo Arsovski</n> for an exhibition of artist <n>Narcis Požar</n> at the <n>Gallery of Contemporary Art, Zagreb</n> in 1970.

Graphic for <n>The Cairo Residency</n>, a <n>Kotn</n> initiative with artist <n>Sean Brown</n>.

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