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Textile work by artist <n>EMILY DAWN LONG</n>.

Illustration by <n>Leif Parsons</n> for <n>Michael Ondaatje</n>'s novel <n>Warlight</n> in <n>The New York Times</n>.

<n>Mains de Mary Wigman</n>, a 1928 photograph of dancer <n>Mary Wigman</n> by <n>Charlotte Rudolph</n>.

A model for <n>ABYSSE</n>, photographed on 35mm film.

<n>Calla Lily</n>, 1984, by <n>Robert Mapplethorpe</n>.

<n>Poppy</n> (1988), a gelatin silver print by photographer <n>Robert Mapplethorpe</n>.

<n>Ocean Jewelery</n>, an artwork made of seashells by <n>Thibaut Mathieu</n>.

A <n>Wabi-sabi</n> bathroom by designer <n>Tamar Barnoon</n> featuring <n>Koyohen Powder White</n> tiles.

Photo by <n>Andrea Esteva</n> and <n>Ariadna Tapia</n> for <n>somelight | magazine</n>.

A 1682 copper engraving from <n>Jacob Böhme</n>'s work '<n>Der Weg zu Christo</n>.'

<n>What is the purpose of always wanting to be something else?</n> by artist <n>Adam Pizurny</n>.

Photograph used as cover art for the books <n>Den tionde sånggudinnan</n> and <n>Вторая жена</n>.

<n>Mont Saint-Michel</n> in Normandy, France, photographed by <n>Nadav Kander</n> in 2002.

<n>Posture</n>, a visual and branding concept.

Diagram from <n>Dr. Joe Dispenza</n>'s 2017 book, <n>Becoming Supernatural</n>.

<n>Rocking Chair</n> (1985) by <n>Yamakado</n>.

<n>Monique Williamson</n> photographed by <n>Camille Robiou du Pont</n>.

A campaign image for London-based fashion brand <n>J-E-CAI</n>, photographed by <n>Romain Duquesne</n>.

From the 'Voolule truu' exhibition by artist <n>Anna Kõuhkna</n>.

<n>Renoncule</n> (1970), a photograph by <n>Denis Brihat</n>.

Photograph by <n>Natali Afsar</n> from a series documenting travel from Corsica to Amalfi.

An ephemeral sand drawing by artist <n>Jim Denevan</n>.

Artwork by <n>Kevin McGloughlin</n> and <n>Páraic Mc Gloughlin</n>.

<n>Cucurbita</n>, a 1928 photograph by <n>Karl Blossfeldt</n>.