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Textile work by artist <n>EMILY DAWN LONG</n>.

Illustration by <n>Leif Parsons</n> for <n>Michael Ondaatje</n>'s novel <n>Warlight</n> in <n>The New York Times</n>.

<n>Mains de Mary Wigman</n>, a 1928 photograph of dancer <n>Mary Wigman</n> by <n>Charlotte Rudolph</n>.

A model for <n>ABYSSE</n>, photographed on 35mm film.

<n>Calla Lily</n>, 1984, by <n>Robert Mapplethorpe</n>.

<n>Poppy</n> (1988), a gelatin silver print by photographer <n>Robert Mapplethorpe</n>.

A <n>Wabi-sabi</n> bathroom by designer <n>Tamar Barnoon</n> featuring <n>Koyohen Powder White</n> tiles.

Photo by <n>Andrea Esteva</n> and <n>Ariadna Tapia</n> for <n>somelight | magazine</n>.

<n>Sacred Bond</n> (2019) by artist <n>Carlota Guerrero</n> for <n>Chantelle</n>.

A 1682 copper engraving from <n>Jacob Böhme</n>'s work '<n>Der Weg zu Christo</n>.'

<n>What is the purpose of always wanting to be something else?</n> by artist <n>Adam Pizurny</n>.

Photograph used as cover art for the books <n>Den tionde sånggudinnan</n> and <n>Вторая жена</n>.

A 2021 graphic remix of <n>Eadweard Muybridge's motion studies</n>.

<n>Mont Saint-Michel</n> in Normandy, France, photographed by <n>Nadav Kander</n> in 2002.

<n>Posture</n>, a visual and branding concept.

<n>Rocking Chair</n> by <n>Yamakado</n>, 1985.

<n>Monique Williamson</n> photographed by <n>Camille Robiou du Pont</n>.

A campaign image for London-based fashion brand <n>J-E-CAI</n>, photographed by <n>Romain Duquesne</n>.

A conceptual photograph by <n>Dmytro Hupaliuk</n> blending the human form with a desert landscape.

<n>Renoncule (Persian Buttercup)</n>, 1970, by photographer <n>Denis Brihat</n>.

A photograph from a series capturing a journey between Corsica and Amalfi.

An editorial photograph for New York-based jewelry brand <n>Agmes NYC</n>.

An ephemeral sand drawing by artist <n>Jim Denevan</n>.

Artwork by <n>Kevin McGloughlin</n> and <n>Páraic Mc Gloughlin</n>.

A photograph from <n>Madelyn Lohman</n>'s series <n>What The Wildflowers Tell Us</n> (2021-23).