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<n>House in Pyrgos</n> by <n>Kapsimalis Architects</n>. Photo by <n>George Sfakianakis</n>.

A look from the <n>Elastic Gender</n> collection by designer <n>Harikrishnan</n>, 2020.

<n>Rams Palette</n>, a graphic print with colors from <n>Dieter Rams</n>' legendary designs for <n>Braun</n>.

Abstract mixed-media works by artist <n>Carola Kastman</n>.

The <n>Akhal-Teke horse</n>, also known as the 'Golden Horse.' Photo by <n>Slava</n>.

<n>Horizon Arch at Dawn</n> (2022) by <n>Angel Oloshove</n>. Photo by <n>Rye Francisco</n>.

Surfers at <n>Seven Brothers</n>, Oahu, from a series by photographer <n>Elle Pothier</n>.

Album art for <n>Jordann</n>'s EP <n>Connecting Visitors to Fun</n>. Artwork by <n>Aaron Lowell Denton</n>.

A traditional <n>Dhow</n> boat at <n>Sussurro</n> lodge in Mozambique, founded by <n>Sarah Birkett</n> and <n>Adam Humphreys</n>.

A still from <n>Terrence Malick</n>'s 1973 film <n>Badlands</n>, featuring <n>Martin Sheen</n>.

The <n>Running Fence</n> (1972-76) by <n>Christo and Jeanne-Claude</n>. Photo by <n>Wolfgang Volz</n>.

Lamps and a coffee table by <n>PANORAMMMA</n> at <n>Salone Satellite</n> 2022. Photo by <n>DSL Studio</n>.

Hemp envelope pillow cover by <n>fred bedding</n>, made in Portugal.

And what a complicated body it is: itself intersectional - biologically, socially, culturally, and politically constructed through the embodied subject positions of age/generation, class, ethnicity, gender, nationality, "race", sexually, and so on. These subject positions preexist individuals in the ways that they are mutually constructed by the cross sections among physical characteristics, family background, cultural discourses, and where and when individuals live and fashion their bodies.  — Susan B. Kaiser, Fashion and Materiality: Cultural Practices in Global Contexts

A graphic from <n>Open</n> featuring a quote from <n>Manoj Dias</n>'s meditation, “Clarity and Gratitude.”