Texts

Poster for the <n>Unknown City</n> exhibition, 2019. Design by <n>PANG K</n>, curated by <n>Zhang Yuxing</n>.

Absencences are not just what there is not, but rather what was there and now is not any longer, or what should be there and yet is not.

A risograph print of a capital letter 'A' from a font experiment by <n>Haus of Fonts</n>.

*Without optimism for the future, how can we hope to shape a better one?*

The <n>Aprello</n> typeface by designer <n>Marinus Klinksik</n>, released via <n>The Designers Foundry</n>.

*It gets easier. Every day it gets a little easier. But you gotta do it every day —that’s the hard part. But it does get easier.*

Poster by <n>Mica</n> and <n>Jahn Koutrios</n> for a <n>Bálint Dobozi</n> concert, using the <n>Eurocat</n> typeface. 2023.

*Why waste your time being angry at thing you can’t control?*

A graphic design featuring typography, used by workwear brand <n>Cubra</n>.

Poster for a <n>Dieter Roth</n> exhibition, designed by <n>Hansjörg Mayer</n> and <n>Dieter Roth</n> in 1966.

<n>Bauhaus-Archiv / Museum für Gestaltung</n> poster by designer <n>Sascha Lobe</n> and <n>L2M3 Kommunikationsdesign</n>, 2014.

A garden is not an object, but a process.

<n>What you see, you become.</n>, a 1990 video artwork by <n>Comyn Mo</n>. Via <n>Aurum Que</n>.

<n>Today I Wrote Nothing</n>, a collection of selected writings by author <n>Daniil Kharms</n>.

Poster for <n>Mujer Vacío</n> (2019), a film by <n>Omotesando</n> based on a project by <n>Berta-Blanca T. Ivanow</n>.

<n>ASCII noise motion experiment</n>, a generative self-portrait in <n>ASCII art</n> by <n>Alida Sun</n>.

Poster for the <n>54th Dimitria</n> festival, 2019.

We're the legacy of 15 billion years of cosmic evolution.