Récifs artificiels

<n>Jakub Geltner</n>'s installation <n>Nest 05</n> (2015), featured on the cover of <n>Surveillance Studies: A Reader</n>.

<n>Erosion Mitigation Units</n> by <n>Reef Design Lab</n>, made from concrete and recycled oyster shells. Photo by <n>Alex Goad</n>.

<n>Histioteuthis bonelliana</n>, a 1851 chromolithograph by <n>Jean Baptiste Vérany</n>. Lithography by <n>Joseph Armanino</n>.

The chalk cliffs of <n>Møns Klint</n> in Denmark.

An 1862 illustration of <n>Collosphaera</n> radiolarians by <n>Ernst Haeckel</n> from his monograph <n>Die Radiolarien</n>.

Concrete breakwater at the <n>Burj Al Arab</n> in Dubai, a project by <n>Tom Wright</n> of <n>Atkins</n>.

Visual identity for fashion brand <n>1017 ALYX 9SM</n> by design studio <n>OK-RM</n>.

Plate 148 from <n>Adolf Schmidt</n>'s <n>Atlas der Diatomaceenkunde</n>, 1890.

Atlantic Wall | Stephan Vanfleteren, Marc Vingerhoedt, Hadewych van den Bossche, Michael  Lomax | 9789491376795

A 1893 illustration of corals by <n>William Saville-Kent</n> from his book <n>The Great Barrier Reef of Australia</n>.

<n>Observatoire IX</n>, a 2013 photograph by French artist <n>Noémie Goudal</n>.

<n>Figure generated by a vibrating rod</n> by <n>Étienne-Jules Marey</n>, c. 1890-92.

<n>Pieza Madre Chair</n> by artist <n>Andrés Reisinger</n>.

From <n>Nehemiah Grew</n>'s 1680 book, <n>The Anatomy of Plants</n>.

An illustration from <n>Thomas Wright</n>'s 1750 book, <n>An Original Theory or New Hypothesis of the Universe</n>.

<n>Discomedusae</n> (1904), a lithograph by <n>Ernst Haeckel</n> from his book <n>Kunstformen der Natur</n>.

<n>Plate XVII</n> from <n>Thomas Wright</n>'s 1750 book <n>An Original Theory or New Hypothesis of the Universe</n>.