<n>Worms Work Harder Than Us</n> (2020), an artwork by <n>David Shrigley</n> for <n>Ruinart</n>.

An image from swimwear brand <n>DALGA</n>.

A still from <n>Nanni Moretti</n>'s 1993 film, <n>Caro diario</n>.

A photograph from the series <n>Project 365</n> by photographer <n>Zhong Lin</n>.

<n>Untitled</n> digital animation by <n>DISCO DOGEN</n>, 2018.

<n>Cenote swimming</n>, 2022, a photograph by <n>Arianna Lago</n>.

Package design for <n>Eath</n> hand sanitizer by <n>Works Studio</n>.

R&D still from a brand film for the stablecoin <n>Lift Dollar</n>.

A still from the 1970 film <n>Claire's Knee</n>, directed by <n>Éric Rohmer</n>.

Film still from <n>Éric Rohmer</n>'s <n>Conte d'hiver</n> (1992) featuring <n>Charlotte Véry</n>.

<n>Liya Kebede</n> for <n>The Row</n>'s Fall 2022 campaign. Photo by <n>Krisztian Eder</n>.

Packaging design for <n>FLORA GOODS</n>' <n>Nettle Green Clay botanical soap</n>.

Photo by <n>Bisa Studio</n> for <n>Cose Journal</n> featuring <n>Lena</n>, styled by <n>Giulia Querenghi</n>.

<n>Nitesurf</n>'s campaign for its <n>Nitesurf Neroli</n> fragrance. Photo by <n>Henry Gatzemeyer</n>.

Poster for <n>Stefanie Nelson Dancegroup</n> designed by <n>Carlos Bocai</n>.

Typographic illustrations by <n>Range Left Shop</n> for the <n>36 Days of Type</n> challenge.

A still of <n>Renate Reinsve</n> from <n>Joachim Trier</n>'s 2021 film <n>The Worst Person in the World</n>.

A still from the 2021 film <n>The Worst Person in the World</n>, directed by <n>Joachim Trier</n>.

Visual identity and product design for skincare brand <n>MOKSI</n> by creative studio <n>FCKLCK.STUDIO</n>.

<n>Volátil</n> (1980/1994), an installation by artist <n>Cildo Meireles</n>.

<n>Form in Motion</n>, a kinetic typography piece using <n>Maxeville Mono</n> for the <n>Motion Corner</n> event.