The <n>Miuccia Prada's Office Slide</n> installation by <n>Carsten Höller</n>. Photo by <n>Juergen Teller</n>, 1999.

<n>James Turrell</n>'s exhibition <n>Into the Light</n> at <n>MASS MoCA</n>. Photo by <n>Sabrina Shen</n>.

<n>Life (Supersurface). Sunset</n>, a 1971 photomontage by the Italian architecture collective <n>Superstudio</n>.

<n>Mechanical Body Fan</n> (1972-74) by artist <n>Rebecca Horn</n>.

<n>Fauteuil grand confort chair</n> by <n>Charlotte Perriand</n>, <n>Le Corbusier</n>, and <n>Pierre Jeanneret</n> for <n>Cassina</n>, 1928.

A visual representation of the <n>Seashell radio</n> from the novel <n>Fahrenheit 451</n>.

An illustration by <n>Rudolf Freund</n> from the 1962 book <n>The Universe</n>.

<n>Anthony McCall</n>'s <n>Minimalist</n> solid-light installation, <n>Line Describing a Cone</n> (1973).

The collage <n>Runaway</n> by artist <n>Sakina Al-Sharif</n>.

A diagram of a <n>Torus Vortex R = r Horn torus</n>.

A scene from the play <n>Hotel Strindberg/Stalker</n> at <n>Dramaten</n> for the <n>Bergmanfestivalen</n>. Photo by <n>Sören Vilks</n>.

<n>Geometric Drawing: Cut-Away Torus</n>.

A portrait by photographer <n>Marta Bevacqua</n>.

<n>And God Divided the Light from the Darkness</n> (1845) by artist <n>George Field</n> and engraver <n>Rosenberg</n>.

<n>Cortina Maguey</n>, an artisanal textile by <n>TWENTY ONE TONNES</n>.

The <n>Entrance Foyer, 473 Bourke Street</n> in Melbourne, Australia.

<n>Környomok 1–4</n> by <n>Dora Maurer</n>.