supercut

Ancient Egyptian <n>golden finger and toe stalls</n>, used on mummies for protection in the afterlife.

The photograph 'larva' is used as cover art for songs by <n>Allie X</n>, <n>The Veronicas</n>, and others.

<n>La mécanique des couples</n> by photographer <n>Gilbert Garcin</n>.

A still from <n>Winter Light</n> (1963), directed by <n>Ingmar Bergman</n> with cinematography by <n>Sven Nykvist</n>.

Models <n>Zhenya Katava</n> and <n>Neus Bermejo</n> photographed by <n>Gus & Lo</n> for <n>V Magazine</n> in 2019.

<n>Surrealist Scene</n>, an oil on canvas by Spanish artist <n>Salvador Dalí</n>.

<n>Pulse Mountain</n>, a 2019 collage by artist <n>Tahni Holt</n>.

Digital artwork <n>Everything In its Right Place</n>, from the series <n>Studies From A Dark Room Pt. 3</n>.

Cinematic image exploring color in filmmaking, referencing <n>DaVinci Resolve</n> software.

A scene from the anime series <n>Bleach</n>.

Cover art for songs including <n>止渴</n> by <n>陈小满</n> and <n>妥协</n> by <n>WIFI is crooked</n>.

From <n>Dazed</n> magazine, 1994, featuring a <n>Veronique Leroy</n> skirt and <n>Corinne Cobson</n> shoes.

Surrealist digital collage by illustrator <n>Randy Mora</n> for <n>The Guardian</n>, 2012.

<n>While we frame our happiness, sadness frames us.</n> by artist <n>Mahmoud Alkurd</n>.