Typography

Embracing the Unexpected For This Year’s Polish Film Festival

First issue of <n>New York Magazine</n>, 1968. Logo by <n>Milton Glaser</n>, photo by <n>Jay Maisel</n>.

The <n>Mixtape</n> font, designed by <n>Rostislav Vanek</n> for <n>Superior Type</n>.

An intervention on antique porcelain tableware by artist <n>Marie-Claude Marquis</n>.

Graphic Design: Studio Spass take over the streets of Rotterdam for arts festival identity

The <n>Asoma V2</n> variable typeface designed by <n>James Plattner</n>.

Promotional image by designer <n>Jessica Walsh</n> for the launch of her type foundry, <n>Type of Feeling</n>.

A kinetic type generator by <n>kieln</n>, using the <n>Evans Narrow</n> typeface from <n>Pangram Pangram® Foundry</n>.

Tÿpo St. Gallen 2021 - Intuition - Typography Symposium - slanted

Redesign of <n>Bob Noorda</n>'s <n>Milan Metro identity</n> by <n>CoType Foundry</n> using their <n>RM Neue</n> typeface.

Due Studio | Lay Grotesk

A typographic treatment of the <n>Nike logo</n>.

<n>That's All Folks</n>, a kinetic type generator by the artist <n>kieln</n>, created using <n>p5.js</n>.

<n>STG V.BOOST</n>, a kinetic generator by artist <n>Kiel Mutschelknaus</n>.

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