Spirit of Movement

Downsizing (film) - Wikipedia

The AI-generated artwork <n>Stillness</n>.

Everything Everywhere All at Once All of the Time | Bruce Robbins

<n>Man Running</n>, a c. 1883 chronophotograph by <n>Étienne-Jules Marey</n>.

Dahlia

Model <n>moustapha</n> in <n>Gucci</n> for <n>INDIE MAGAZINE</n>, photographed by <n>Fabien Montique</n> and styled by <n>The Jordan Boothe</n>.

The beginning of Becoming Human presents a wild, open offering and prompt I haven’t been able to dismiss for years, “Plasticity is a mode of transmogrification whereby the fleshy being of blackness is experimented with as if it were infinitely malleable lexical and biological matter, such that blackness is produced as sub/super/human at once, a form where form shall not hold: potentially “everything and nothing” at the register of ontology.” Jackson continues, and this is where it gets really good, “It is perhaps prior scholarship’s interpretation of this tradition as “denied humanity” that has facilitated a call for greater inclusion, as a corrective to what it deems a historical exclusion of blackness. One consequence of this orientation is that many scholars have essentially ignored alternative conceptions of being and the nonhuman that have been produced by blackened people.”2

<n>Malick Bodian</n> and <n>Khadim Sock</n> by <n>Rafael Pavarotti</n> for <n>Vogue Hommes Paris</n>, Fall/Winter 2020.

The Artist Way | Week 1

To Dismantle Anti-Asian Racism, We Must Understand Its Roots

Collage by <n>Zhun (Mitchell) Meng</n> addressing anti-Asian racism.

A look from South African streetwear brand <n>Butan</n>'s <n>Space Range</n> collection. Photo by <n>Mishaal Gangaram</n>.

Rosi Braidotti – Necropolitics and Ways of Dying

<n>ACHOL AYOR</n> for <n>LUNCHEON</n> magazine. Photo by <n>Daniel Archer</n>.

Asian Sexuality Immersive Theater

Hong Chau has said that she gives directors "a wide range of line readings and reactions each time they call 'action'". A journalist for Variety wrote, "It's resulted in a string of performances of remarkable versatility, star turns."

https://en.m.wikipedia.org/wiki/Hong_Chau

Tumbling Ecologies | Creative Capital

Installation view of <n>Anicka Yi</n>'s <n>Chlorophyta</n> (2022). Photo by <n>Julia Featheringill</n>.

Exilee (slides)

Art as a Tool for Future Imagination THE NEW INSTITUTE - THE NEW INSTITUTE

Voyage

What is Queer Phenomenology? | Sara Ahmed | Keyword

Model <n>Achol Ayor</n> photographed by <n>Daniel Archer</n> for <n>Luncheon Magazine</n> No. 16.

Extinction Rituals | Creative Capital

A scene from <n>d. Sabela grimes</n>'s performance <n>Extinction Rituals</n>. Photo by <n>Meena Murugesan</n>.