type specimien

A colorful gradient by graphic designer <n>Namia Leigh</n>.

<n>Annapolis</n> (2023), a pencil drawing on view at <n>SOKA ART | Beijing</n>.

<n>James Turrell</n>'s light installation <n>Amesha Spentas</n> (2019) at <n>Museo Jumex</n>. Photo by <n>Florian Holzherr</n>.

<n>One Gribbroek Evening</n>, a painting by artist <n>Tuco Amalfi</n>.

Abstract painting by <n>Leon Berkowitz</n>.

The <n>Denton</n> typeface by <n>Peregrin Studio</n>, a modern serif inspired by mid-century advertising.

Editorial design for <n>INQUE magazine</n> by <n>Matt Willey</n>, using the <n>Orbikular</n> typeface from <n>CoType Foundry</n>.

<n>Orbikular</n> type specimen designed by <n>Matt Willey</n> and <n>Chantal Jahchan</n> at <n>Pentagram</n>. Photo by <n>Gary Smith</n>.

Posters from the <n>Kickin - Motion Poster Vol 10</n> series by <n>Kickin Studio</n>.

Digital illustration by <n>peace-2099</n>, used as album art for <n>CIEL</n>'s "<n>Never Alone Again</n>."

<n>How to read a banana</n>, a print advertisement for <n>Chiquita</n> from 1968.

Kindling Issue 2 |               D&AD Awards 2022 Pencil Winner |     Independent Magazines

The <n>Aime</n> typeface, a flared serif with calligraphic influences, by <n>Family Type</n>.

<n>STENCIL IN USE</n> by <n>victionary</n>, designed by <n>Astrid Stavro</n>, features typefaces by <n>Mark Bloom</n> and <n>Diana Ovezea</n>.

A specimen book for the <n>Orbikular</n> typeface by <n>CoType Foundry</n>, designed by <n>Matt Willey</n> and <n>Chantal Jahchan</n>. Photo by <n>Gary Smith</n>.