Promotional material for <n>Astrae Market</n> SS24. Designed by <n>Valdemar Juul</n> and <n>Carl-Emil Storm Gabrielsen</n> of <n>Astrae Studio</n>.

Typographic study booklet by <n>Elena Scherweit</n> for the Maastricht Institute of Arts.

Publication for <n>POST</n> by <n>Studio Corine van der Wal</n>, featuring <n>Matthew Day Jackson</n> and <n>Bas Pruyser</n>.

'Senza Segnale,' a journalism project by <n>IRPIMEDIA</n> with graphic design by <n>Due Studio</n>.

A spread from the book <n>Void</n> by artist <n>Karl Nawrot</n>, published by <n>Rollo Press</n> in 2017.

Graphic design for a <n>2024 New Year Card</n>.

A 2024 new year's graphic by <n>Doron Studio</n> featuring a list of musical artist projects.

<n>Giáp Thìn 2024 Lucky Money Envelope</n> designed by <n>Ngọc Linh</n>.

Design and art direction by <n>Zwupp</n> for <n>Forward Magazine Issue No4</n>, published with <n>Forward Festival</n>.

A 2025 New Year's card for the Year of the Blue Snake, designed by <n>chushin.zip</n>.

Print for <n>The Garden of Applied Archaeology</n> exhibition, honoring <n>Taiga Takahashi</n>. Art Direction by <n>OK-RM</n>.

Chinese New Year money packets designed and produced by <n>PaperAndPrintKL</n>.

"<n>New Eyedentity</n>" by <n>Ragnhildur Stella</n>, a zine exploring the experience of Retinitis Pigmentosa.

<n>City Vals</n>, a 1910 <n>Art Deco</n> illustration.

Spread from <n>Revue Faire, n°25</n> on <n>Jonathan Monk</n>'s exhibition views. Design by <n>Syndicat</n>.

<n>The Flower Encyclopedia</n>, a book by <n>la Flower Gang</n>, uses the <n>Inter</n> typeface by <n>Rasmus Andersson</n>.

<n>감각악보</n> graphic design by <n>이주현</n> from the book <n>장단록</n>, designed by <n>유나킴씨 yunakimc</n>.

<n>Lunar New Year</n> gift box packaging for <n>Cultiveat</n> by <n>Where’s Gut Studio</n>. Photo by <n>Calvingoh</n>.

Spread from the book <n>Data Centers</n> (2018), designed by <n>Hubertus Design</n> and <n>Jonas Voegeli</n>.

Poster for the <n>Legal Spezial: NYE</n> party at <n>Legal Club</n>. Typography by <n>Olli Rubber</n>.

Identity design for the music album <n>D-DAY</n> by <n>ORDINARY PEOPLE</n>.

Typographic editorial design by <n>Sabrina Cerea</n> and <n>Leonardo Angelucci</n> featuring food designer <n>Agnese Z'graggen</n>.

A spread from <n>CPFC: Volume 1 of 2</n>, a publication bound by <n>Daniel Kent</n>.

<n>Year of the Dragon</n> (2024), a Lunar New Year illustration by <n>Ray Dak Lam</n>.

The conceptual publication <n>Eden</n> is a graduate student project from <n>RMIT</n>. Binding by <n>ortbindery</n>.

A spread from the <n>KW Open Secret Catalogue</n> for the <n>Open Secret</n> exhibition, featuring work by <n>Inland</n>.

A spread from the <n>Entre Nós</n> exhibition catalog, featuring work by artist <n>Aline Motta</n>.

Spread from <n>No Finish Line</n>, a book by <n>Nike</n> published by <n>ACTUAL SOURCE books</n> and designed by <n>Zak Group</n>.

Editorial design and photography for <n>Melu Magazine</n> by <n>Rakastaja Robert</n>.

A 2024 graphic design titled <n>Year of Blue Dragon</n>.

Typographic design for New Year 2025 by <n>BRM Type</n>, featuring the <n>Barrett RM Type</n> and <n>Sleigh Variable</n> typefaces.