Design

Artwork for <n>No Age</n>'s 2018 album <n>Snares Like a Haircut</n>. Design by <n>Brian Roettinger</n>, photo by <n>Julia Girardoni</n>.

The <n>Raptor Text</n> typeface, designed by <n>Vojtěch Říha</n> for <n>Superior Type</n>.

Drawing for a bespoke typeface, part of a book project with <n>CLÉMENT MAZARIAN</n> and <n>Henry Leutwyler</n>.

Catalogue for the 2018 <n>Red Bull Music Academy</n> in Berlin. Design by <n>HelloMe</n>. Photo by <n>Haw-lin Services</n>.

<n>Bauhaus Letterhead (Letter to Naum Gabo)</n> by <n>Herbert Bayer</n>, 1928.

<n>Untitled (Func)</n>, a 2021 typographic work by <n>Mohammed Samad</n>.

Back cover of the 2021 album <n>Life of a Don</n> by <n>Don Toliver</n>.

<n>Zine's Mate</n>, a 2009 set of five zines by artists including <n>Tomoo Gokita</n> and <n>Kazunari Hattori</n>.

Spreads from <n>A Magazine Curated by Eckhaus Latta</n> (2017), designed by <n>Alexis Mark</n>.

Poster for the 2021 film <n>Everything in the End</n>, directed by <n>Mylissa Fitzsimmons</n>.

An illustration of <n>The Mushroom Life Cycle</n> by mycologist <n>Paul Stamets</n>, 1995.

Poster by <n>Balbek Bureau</n> for an architecture tour of Copenhagen, featuring <n>Arne Jacobsen</n> and <n>Fritz Hansen</n>.

Catalog for a 1971 <n>Kurt Schwitters</n> exhibition, designed by <n>Walter Breker</n>.

Typography for the <n>Bandcamp</n> feature ‘<n>The Protest and Passion of Welsh-Language DIY</n>’.

<n>Apple</n> print ad from 1984 introducing the <n>Macintosh 512K</n> computer.

The <n>Yaourti</n> branding concept by <n>Anagrama Studio</n> for a fictional Greek yogurt brand.