m o t i o n

Visual identity for <n>The New York Times</n>' annual <n>State of the Times</n> conference by <n>CC Studio</n>.

Poster by <n>Lucas Hesse</n> for the <n>Animierte Plakate</n> student exhibition in Mainz, Germany, 2018.

Animation by <n>Lucas Hesse</n> for <n>Ruhm & Ego Magazin</n>, using the typeface <n>Tempos Mono</n> by <n>Samara Keller</n>.

The <n>PP Pangaia</n> font by <n>Samuel Salminen</n>. Visual by <n>Sergio Lairisa</n> and <n>Nabill Parvizi</n>.

Embroidery test by designer <n>Morgane Vantorre</n> and embroiderer <n>Maryline</n>, based on family handwriting.

The orange circle is the main brand accent for the design tool <n>Readymag</n>.

Kinetic typography for the song I Lied by <n>Lord Huron</n> and <n>Allison Ponthier</n>.

Digital artwork <n>OASIS</n> by artist <n>Kim Laughton</n>, 2014.

<n>Alice Isaac</n>'s animated collage of <n>Arctic Monkeys</n>' album <n>The Car</n> for the <n>Mercury Prize 2023</n>.

Brand campaign for <n>The Nue Co.</n> by art director <n>Sarai Hurtado Antuñano</n> at <n>Unfound Studio</n>.

<n>Corotypo</n> typeface by <n>Louis Mallart</n>, created during the 2020 containment period.

The illustration series <n>Both Sides Thinking</n> by artist <n>Hymn Wong</n>.