type

Visual identity for the <n>Trüffelsuche</n> exhibition, realized by <n>Clemens Ottnad</n>, <n>Simone Demandt</n>, and <n>Dinamo Typefaces</n>.

<n>Bread Clip Neue</n>, a typeface with letterforms designed to look like plastic bread clips.

Type specimens from <n>Superior Type</n>. Fonts by <n>Matyáš Machat</n>, <n>Vojtěch Říha</n>, and <n>Rostislav Vanek</n>.

<n>Faust</n>, an experimental typeface by designer <n>Bouk Ra</n>.

Display typefaces <n>Kafka</n>, <n>Arden</n>, <n>Lithic</n>, <n>Blake 2.0</n>, <n>Allusion 2.0</n>, and <n>Agave</n> by <n>Barrett RM</n>.

The <n>Micro</n> and <n>Steiner</n> fonts from <n>Superior Type</n>. <n>Steiner</n> was designed by <n>Vojtěch Říha</n>.

<n>Type Recap 2023</n>, a poster of typographic studies for logos like <n>Balenciaga</n> and <n>Comme des Garçons</n>.

A publication spread featuring artist <n>Lívia Melzi</n>, written by <n>Juliette Soulez</n>.

A pairing of the <n>Ethic Serif</n> and <n>Neue Swiss</n> fonts by type designer <n>Jen Wagner Co</n>.

"Japan food tour" typographic study by <n>Thomas Bauer</n> using <n>Stoker</n> and <n>Conforme</n> typefaces.