Crispygraphy

"D" from the <n>36 Days of Kinetic Type</n> series by designer <n>Syddharth Mate</n>.

Visual identity for the 2022 <n>Shenzhen Fringe Festival</n>, designed by <n>untitled_macao</n> and <n>INTOX DESIGN & COMMUNICATION</n>.

Poster for the <n>Simon Esterson: Making Magazines</n> talk for <n>The Typographic Circle</n> in 2011. Designed by <n>Domenic Lippa</n> of <n>Pentagram</n>.

Visual identity for <n>Design Bay Area</n> by <n>Mucho | Brand Design Agency</n>, using the <n>Beatrice</n> typeface by <n>Lucas Sharp</n>.

Minimalist logo titled <n>People, Human Minimal Logo Design</n> by designer <n>Sarkhan Rzazadeh</n>.

Brand identity for <n>La Oficina del Parque</n> by <n>Studio Ingrid Picanyol</n>, inspired by spreadsheet grids.

Cover of the 2020 reissue of <n>Typeface Design</n> by graphic designer <n>Yasaburo Kuwayama</n>.

Branding for <n>De la Huella</n>, a personal project by brand designer <n>Gonzalo Rodríguez</n>.

New week of TypoMonday. Last week I designed some explorations going into the fashion/tech industry. Again I picked up the orange color, I find it looks so well placed here.

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MODEM — OFFICE FOR DESIGN AND INNOVATION

Brand identity for <n>Modem Works</n>, founded by <n>Sam van den Berg</n> and <n>Jaro Gielens</n>.