A look from the <n>Alexander McQueen</n> <n>No. 13</n> Spring/Summer 1999 collection.

The <n>Medium Bowl Nest</n> by <n>Softedge Studio</n>, designed by <n>Naozumi Toujima</n> and <n>Ayaka Nishikawa</n>.

Deceptively deep, the oversized Serving Bowl is an ideal centerpiece for sharing a large leafy salad or stacking full of summer fruits.

Large Serving Bowl

Detail from <n>Christopher Esber</n>'s Fall/Winter 2025 collection at <n>Paris Fashion Week</n>.

<n>Pink on pink</n> (1953) by artist <n>Mark Rothko</n>.

Original Abstract Paintings by Susan Wolfe Huppman

<n>Pink Rothko</n> (2017), an oil on canvas by artist <n>Susan Wolfe Huppman</n>.

Detail from the <n>Comme des Garçons</n> <n>Spring 2003</n> collection shown at <n>Paris Fashion Week</n>.

A spread from the <n>TASCHEN</n> book <n>Rothko</n> by <n>Jacob Baal-Teshuva</n>, featuring works by <n>Mark Rothko</n>.

Resisting interpretation or classification, Mark Rothko (1903–1970) was a prominent advocate for the artist’s consummate freedom of expression. Although identified as a key protagonist of the Abstract Expressionist movement, first formed in New York City, Rothko rejected the label and insisted instead on “a consummated experience between picture and onlooker.” Following a repertoire of figurative works, Rothko developed his now iconic canvases of bold color blocks in red, yellow, ochre, maroon, black, or green. With these shimmering, pulsating color masses, Rothko stressed that he had not removed the human figure but rather put symbols or shapes in its place. These intense color forms contained all the tragedy of the human condition. At the same time, Rothko explicitly empowered the viewer in the expressive potential of his work. He believed “A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer.” From his early development through to his most famous color fields, this book introduces the intellect and influence of Rothko’s dramatic, intimate, and revolutionary work.

Rothko

A look from an <n>Isabel Marant</n> Spring runway show.

A gift wrapped in a <n>Bojagi</n>, a traditional Korean cloth offered by the studio <n>DAE</n>.

<n>Upholstered Sofa (Mohair Velvet)</n>, 2023. Upholstery by <n>TAKHAR TEXTILE ARTS</n>.

<n>Ajimez ó ventana de la Sala de las dos hermanas</n> at the <n>Alhambra</n>, photographed by <n>Jean Laurent</n> ca. 1870.

Interior from the Mediterranean home of designer <n>Anouska Hempel</n>, circa 1992.

<n>Protruding Patterns</n> (2017) by <n>Lin Tianmiao</n> at <n>Galerie Lelong & Co.</n> Photo by <n>Jack Tilton</n>.

NYLON SWIM SHORTS WITH TRIPLE STITCH DETAILS AND SIDE SEAM POCKETS. ADJUSTABLE AT WAIST.

NYLON SWIM SHORTS

fringed tote bag

<n>Mint Tallow Lip Balm</n> by <n>Bare Bones Beauty Australia</n>. Photo by <n>BRAVA BEAUTY</n> with <n>Kat Borchart</n>.

<n>James Lee Byars</n>' sculpture, <n>The Golden Tower with Changing Tops</n> (1982).

A look from the <n>Ralph Lauren</n> <n>Spring 2011 Collection</n> at <n>New York Fashion Week</n>.

The <n>008 Lab Edition | Universal Balm</n> from skincare brand <n>Monastery</n>.

<n>Calla Lily</n> (1988), a photograph by <n>Robert Mapplethorpe</n>.

<n>A Book About Colab (and Related Activities)</n>, edited by <n>Max Schumann</n> and designed by <n>Garrick Gott</n>.

_A Book About Colab (and Related Activities)_–edited by Max Schumann, and with a foreword and afterword by art writer and Colab member Walter Robinson–traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the la...

Max Schumann - A Book About Colab (and Related Activities) [Second Printing] - Printed Matter

<n>Tapestry</n> (1977), a linen wall hanging by artist <n>Sheila Hicks</n>.

Detail of 3D floral appliqués on the <n>Maxi Trocadero Dress</n> by Colombian brand <n>Especia</n>.

A look from the <n>Saint Laurent</n> <n>Spring 2018 Ready-to-Wear</n> collection by <n>Anthony Vaccarello</n>.

Saint Laurent Spring 2018 Ready-to-Wear Collection