<n>Thought Trails #351</n>, a mixed-media piece from the <n>Thought Trails</n> project for <n>UNSEEN Amsterdam</n>.

1884 chromolithograph by <n>Eduard Pechuël-Loesche</n> showing the atmospheric effects of the <n>Krakatoa eruption</n>.

<n>EL AZAR FIEL</n> (2017), a unique artist's book by <n>Juanan Requena</n>.

Chromolithograph by <n>Eduard Pechuël-Loesche</n> from <n>J. Kiessling</n>'s 'Twilight Investigations' (1886).

Accordion leaflet for the <n>Modulations</n> musical season by <n>GMEM</n>, designed by <n>Atelier Tout va bien</n>.

<n>The Paper Dress</n> (1966) by artist <n>Alison Knowles</n>.

<n>ephemera_004</n> by <n>Sabini</n>, 2023.

<n>Mz 21. Street</n>, a 1947 collage by artist <n>Kurt Schwitters</n>.

A 1966 artwork by <n>Robillion</n> composed of three handwritten telegrams.

Robert Filliou. Three Telegrams (Trois télégrammes). 1966 | MoMA

An illustration of the sun, used as cover art for songs by musician <n>Apollogirl</n>.

Artwork <n>XMAS_EVET10 [120][thanaton3 mix]</n> by <n>Richard D. James</n>.

<n>Suzanne Jackson</n>'s sculpture <n>rag-to-wear</n>, 2021. Photo by <n>Dan Bradica</n>.

Suzanne Jackson’s Ethereal Acrylic Hangings Connect Autobiography and Abstraction

<n>Synthetic Contrivance</n> (2016), a painting by <n>Peter Soriano</n> featured in <n>n+1</n> magazine.

<n>Community is Resistance</n>, a linocut print by <n>Emily Spankhurst</n>.

<n>Motif</n> (2012) by artist <n>Cindy Steiler</n>, from the <n>Vestiges</n> series.

<n>The Sun</n> (1874) by <n>Joseph W. Spoor</n>, from the <n>Electro Astronomical Atlas</n>.

<n>Brad Troemel</n>'s artwork <n>Jeanie Baby</n>, 2015, from the exhibition <n>Live/Work</n> at <n>Tomorrow</n> gallery.

art 102 -- — ⛶ ⛶

<n>Always together</n> by artist <n>Franco Anselmi</n>.

Chromolithograph by <n>Eduard Pechuël-Loesche</n> from <n>Johann Kiessling</n>'s 1888 study of the <n>Krakatoa eruption</n>.

<n>Joy is an Act of Resistance</n> print by artist <n>Toia Bonino</n>.

From the <n>NOWNESS</n> series <n>Sunday Sanctuary</n>.