How To Master The Business Of Fun With Dion Agius — Monster Children

Cover for the book <n>Jigokubana</n> by Japanese S&M writer <n>Oniroku Dan</n>.

Tour merchandise for the band <n>Paramore</n>, designed by the studio <n>FISK</n>.

Illustration from the <n>1967 Corvette Sales Brochure</n> by <n>Campbell-Ewald Advertising</n>.

The book <n>Grapefruit Juice</n> by <n>Yoko Ono</n>, translated by <n>Nanpū Shii</n>.

corentin.cor-b_xfjlkbvkm_b_xfjhdhruo.jpg | Are.na

Porto, Portugal. Photo by <n>João Cabral</n>.

<n>Departure</n> (1952) by artist <n>Agnes Pelton</n>.

Artist <n>Lorna Simpson</n>'s 1995 work, <n>9 Props</n>, an ode to photographer <n>James VanDerZee</n>.

Evoking What Can’t Be Seen (Published 2018)

<n>Étienne Léopold Trouvelot</n>'s illustration, <n>Étoiles multiples colorées</n>, 1881.

The record label for the <n>Small Hours 001</n> EP, released in 2019. Artwork by <n>Youandewan</n>.

Program for <n>Caged Time</n> by <n>Shakespeare's Wild Sisters Group</n>, 2017. Design by <n>Elmo Wu</n>.

An illustration by <n>Pia Valentinis</n> from the book <n>Raccontare gli alberi</n>, published in 2012.

DP