disrupt

Bite the Hand  | V&A Explore The Collections 

<n>Kuchibiru (Red)</n>, 2007. Photo by <n>Daido Moriyama</n>.

<n>So Long as Women are not Free the People are not Free</n> poster by <n>See Red Women's Workshop</n>, 1975.

<n>Judith Beheading Holofernes</n>, c. 1620, a <n>Baroque</n> painting by <n>Artemisia Gentileschi</n>.

Engraving "<n>Aristotle and Phyllis</n>" (c. 1485-1500) by <n>Wenzel von Olmütz</n>, after <n>Monogrammist BR with the anchor</n>.

<n>A Woman's Work Is Never Done</n>, a 1975 poster by the feminist collective <n>See Red Women's Workshop</n>.

The poster <n>Black Women Will Not be Intimidated</n> by <n>See Red Women's Workshop</n>, c. 1974.

Poster for the 1937 <n>Universal Pictures</n> film <n>She's Dangerous!</n>, starring <n>Tala Birell</n> and <n>Cesar Romero</n>.

Poster for the 1962 film <n>Satan in High Heels</n>, starring <n>Meg Myles</n> and directed by <n>Jerald Intrator</n>.

Poster by the <n>Red Dragon Print Collective</n> for the <n>National Abortion Campaign</n>, circa 1976.

"<n>Arc de cercle</n>" (1885), a medical illustration by <n>Paul Richer</n> depicting a hysterical fit.

<n>Paul Soulellis</n>'s 2021 zine on queer typography, featuring <n>David Wojnarowicz</n> and <n>Ernestine Eckstein</n>.

<n>See Red Women's Workshop</n>'s screenprint poster, <n>Black Women Will Not be Intimidated</n>, c. 1975.

<n>Women Unite</n>, a 1974 poster by the <n>See Red Women's Workshop</n>.