Illusion

A <n>Tafoni rock formation</n> in Corsica. Photo by <n>Mohamed Vercammen</n>.

The digital illustration <n>Claresca</n> by <n>Cara Bortnem</n>.

A <n>Cybercore</n> digital collage curated by <n>D I G I K Ө Я Σ  Ц П I Ƭ Σ D</n>.

A <n>HIDDEN ® PALEONTOLOGY</n> illustration for the brand <n>HIDDEN®</n>.

Campaign image for the <n>Cherry Massia</n> x <n>Hune Brand</n> collaboration, available at <n>Krack</n>.

The sculpture <n>Re-breather</n> by <n>Shih-Chieh Huang</n> at the <n>Worcester Art Museum</n>. Photo by the artist.

<n>Cerro Gordo</n> (2016) by photographer <n>David Black</n>.

Artwork by <n>Ana Mendieta</n>, <n>La Vivificación de la Carne: El Laberinto de Venus Series</n> (1981).

<n>Symphonie 5.1</n> (2011), a performance by artist <n>Emmanuelle Calvé</n> with choreographer <n>Isabelle Van Grimde</n>.

A detail of <n>Christo</n>'s 1960 sculpture <n>Package</n>, photographed by <n>Thomas Lannes</n>.

Differential Growth - Cameron - OpenProcessing

<n>Differential Growth</n> (2020) by <n>Marius Watz</n>, from the <n>Networks</n> curation by <n>Casey Reas</n>.

A woodcut print of a tree cross-section by artist <n>Bryan Nash Gill</n>.

<n>Angels don't fight</n> (2023) by artist <n>Cho Gi-Seok</n>.

<n>Green on white</n>, an acrylic on canvas painting by <n>Nikodem Szpunar</n>, 2023.

2018 poster for the play <n>Love & Money</n> by <n>Dennis Kelly</n>. Graphic design by <n>Léo Cabannes</n>.

A flock of sheep in Helmand Province, Afghanistan. Photo by <n>Kevin Frayer</n> for <n>Associated Press</n>.

Cover illustration by <n>Harihin</n> for <n>Ellianyang</n>'s book, <n>I Have Become the Mother of the Male Lead</n>.

<n>Environment</n> (1969), a polyurethane foam sculpture by <n>Joke Leonare</n>.