Distorsion visual

<n>Peaks</n> (2023) by artist <n>Moose Megannety</n>.

Newspaper for the <n>Most Beautiful Swiss Books</n> exhibition at <n>Pratt Institute</n>, using <n>Exvoto</n> typeface.

Cover for <n>Typographische Monatsblätter</n>, 1964 Issue 1, designed by <n>Felix Berman</n>.

<n>Peaks</n> (2023), a signed pigment print.

Newspaper for the <n>Most Beautiful Swiss Books</n> exhibition at <n>Pratt Institute</n>. Photo by <n>Sebastian Stadler</n>.

Artwork for <n>The 1975</n>'s album <n>Notes On A Conditional Form</n> by artist <n>Samuel Burgess-Johnson</n>.

Typographic poster <n>Beküképe spécimen</n> (2020) by designer <n>Benoit Bodhuin</n>.

<n>Geometrische Komposition</n>, a 1928 drawing by <n>Bauhaus</n> artist <n>Erich Borchert</n>.

<n>Option-b</n> by <n>bustavo</n>. Archival ink on paper, created using a pen plotter.

<n>Back home</n>, a generative artwork by <n>Dagna Majewska</n> created using code and a pen plotter.

"<n>meditation n.1</n>," a 1967 concrete poem by <n>Emmett Williams</n>.

<n>04 — repeat</n> by <n>Matt DesLauriers</n> for <n>Inktober</n>.

An illustration used as cover art for the song <n>Love is Love</n> by <n>Steven Othello</n> and the book <n>KÜRSÜLER VE ANALAR</n>.

Pages from the <n>FAI-AR</n> <n>Carnet de route 2021-2023</n>. Photography by <n>Joséphine Brueder</n>.