The <n>Escondido Oaxaca</n> hotel in Puerto Escondido, designed by architect <n>Alberto Kalach</n>.

Poster for the 1977 Japanese cult horror film <n>House (Hausu)</n> by director <n>Nobuhiko Obayashi</n>.

<n>analog supercomputer</n> by <n>Martin Naumann</n> from his <n>Weekly Work Pieces 2017</n> series.

Official cover art for <n>Bowling Shoes</n>' EP, <n>DoomScroller</n>.

Photograph by <n>Paulo Sloboda</n> for <n>Vanillin Studio</n>'s Pre-Fall 2022 collection.

<n>Texture #001</n> by <n>Chromatic Artifacts</n>.

<n>DEEP IN THE MUDD</n> (2017) by <n>HENRY WU (吳罕)</n>. Visual identity by <n>Sascha Lobe</n> and <n>KIMBERLY LLOYD➕</n>.

Pink <n>Lily of the Valley</n> flowers, which signify the return of happiness.

<n>Indução Cromática</n> (1979) by Venezuelan artist <n>Carlos Cruz-Diez</n>.

The character <n>Gromit</n> reads a book in a still from <n>Aardman</n>'s <n>Wallace & Gromit: Vengeance Most Fowl</n>.

Face mask texture styled by <n>Maya Bookbinder</n>. Photo by <n>Ricardo Lozano</n>.

Cover art for the song <n>Unnatural</n> by musician <n>Harley D</n>.

A textural photograph of chocolate used in branding for <n>TITA & LITO | BAKERY</n> by <n>Estudio Albino</n>.

<n>Rich Chocolate Ice Cream</n> from <n>Butter and Brioche</n>. Photo by <n>Thalia Ho</n>.

Rich Chocolate Ice Cream — Butter and Brioche

A close-up of <n>Pistachio Cheesecake</n> from <n>Early Brawd</n>.

A still of <n>Tom Cat</n> from the animated series <n>Tom and Jerry</n>.