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<n>Iron bar stools</n> from <n>Design with Care</n>.

From the introductory campaign for <n>Zellweger Warmwear</n>, photographed by <n>Gwenaëlle Trannoy</n>.

Gelber Sessel #stuhl #chair #designinspiration #chairdesign

<n>Lady at the Swan Lake</n> (1886), a <n>Symbolist</n> painting by <n>Max Nonnenbruch</n>.

Sitting area in <n>Case Study House #28</n> by <n>Buff & Hensman</n>, 1966. Photo by <n>Julius Shulman</n>.

Aluminium, Velvet Lupita Dining Chair by Ohla Studio

A film still from <n>Vampyres</n> (1974), directed by <n>José Ramón Larraz</n>.

A scene from <n>OSS 117: Lost in Rio</n> featuring the <n>Elda chair</n> designed by <n>Joe Colombo</n>.

The <n>Boutique Pierre Cardin</n> in Milan, designed by the <n>Bini Brothers</n> in 1969.

A still from the 1971 film <n>The Boy Friend</n>, directed by <n>Ken Russell</n>.

<n>My Old New Chair</n>, a sculpture from the series by artist <n>Tati Freitas</n>.

The multi-purpose <n>ALIGN Oil</n> from brand <n>Align</n>.

The <n>Stahl House (Case Study House #22)</n> in Los Angeles, designed by <n>Pierre Koenig</n>. Photo by <n>Julius Shulman</n>, 1960.

Jorge Zalszupin, Attribution - Ameba Armchair (pair), 1970s


Perfume de la Tierra Signature Fragrance
This product is: A transportive, clean and genderless fragrance, rooted in Ceremonia’s culture and soil.
Why we love it: Ceremonia Perfume de la Tierra provokes the duality between nostalgia and modernity, featuring a scent that blooms of soft woody notes and a delicate hint of bergamot, alongside subtle whispers of Pink Pepper, Violet, Vetiver and Driftwood. It blossoms into the woodiness of a vibrant, humid rainforest.
Fragrance Notes:
Top: Bergamot, Pink Pepper, BasilMid: Jasmine Petals, Peach, GingerDry: Vetiver, Tonka Bean, Driftwood

Perfume de la Tierra Signature Fragrance

<n>Mystic Oud Nº03</n> perfume by <n>Les Benjamins</n>. Product photography by <n>Exton Studio</n>.

NOTES OF NOSTALGIA: Les Benjamins Debut Fragrance Line - Fucking Young!

The <n>Art Deco</n> cover of <n>McCall Quarterly</n> from Autumn 1927.

A composition of iconic chairs designed by <n>Charles and Ray Eames</n> for <n>Herman Miller</n>.