A film still from <n>Playtime</n> (1967), directed by and starring <n>Jacques Tati</n>.

A demonstration of facial recognition technology in Zhengzhou, China, 2018. Photo by <n>Gilles Sabrié</n>.

Estados Unidos aposta em reconhecimento facial contra imigrantes ilegais

A film still from <n>Playtime</n> (1967), directed by <n>Jacques Tati</n> and featuring <n>Monsieur Hulot</n>.

<n>Photorythms</n> by artist <n>Chelsi Alise Cocking</n> explores computational methods in portraiture.

A cluster of surveillance cameras in China. Photo by <n>Gilles Sabrié</n> for <n>The Wall Street Journal</n>.

Artwork by <n>Patrick Ennis</n>, used as the cover for several vaporwave albums including <n>Miami Virtual</n>.

CandiceMarie🪐 (CandyxQ) - Profile | Pinterest

An office building in <n>Tokyo</n> at night.

The iconic <n>Matrix code</n> from <n>The Matrix</n> film franchise.

<n>May Day V</n> (2006), a photograph by <n>Andreas Gursky</n>, depicts the <n>Mayday</n> rave in Dortmund, Germany.

<n>The Epiphany of Touch</n> (1973) by artist <n>Peter Weibel</n>.

A thermal camera screen shows temperature checks. Photo by <n>Christophe Gateau</n> for <n>dpa</n>.

The <n>Discovery One spaceship cockpit</n> from <n>Stanley Kubrick</n>'s 1968 film <n>2001: A Space Odyssey</n>.

The <n>Action Office</n>, an office furniture system designed by <n>Robert Propst</n> in the 1960s.

<n>Livid Jeans</n> draped over an office chair.

A look from the <n>Givenchy</n> <n>Haute Couture Autumn/Winter 1999</n> collection by <n>Alexander McQueen</n>.

A data visualization of recent earthquakes from the <n>Earthquake 3D</n> software by <n>WOLTON.NET</n>.

Backstage at the <n>Prada</n> <n>Spring/Summer 1999 show</n>.

An electro-carbon print from <n>William Larson</n>'s <n>Fireflies series</n>, created in 1975.

William Larson: Fireflies | Gitterman Gallery Web Site

<n>Gucci Beauty Packaging Helmet</n>, a collage featuring model <n>Crista Cober</n>.

A digital collage by Ukrainian artist <n>Alla Mingalёva</n>.

Performance artist <n>Stelarc</n> with his robotic prosthetic, <n>The Third Hand</n>, created in 1980.

A temperature check at a <n>Gucci</n> store in Rome, May 18, 2020. Photo by <n>Massimo Zennaro</n> for <n>ANSA</n>.

<n>Omniabsence</n>, 2019, by <n>Maria Loboda</n>. Photo by <n>Trevor Lloyd</n>.

"<n>Alien at the Office</n>" (2004) by <n>Lars Tunbjörk</n>, from the series that inspired the look of the show <n>Severance</n>.

A diagram showing the relationship between <n>Artificial Intelligence</n>, <n>Machine Learning</n>, <n>Neural Networks</n>, and <n>Deep Learning</n>.

Poster by <n>studio11x1</n> featuring a typeface by <n>Dinamo Typefaces</n>.

Artwork by artist <n>John Yuyi</n>, who uses her body as a canvas for temporary installations.

'Schrein' desk designed by <n>Masayuki Kurokawa</n> in the 1980s.

Cover image for the book <n>Wat na corona?</n> by author <n>Bleri Lleshi</n>.