Personal Branding

The <n>Berlinc x Reztokia 'Creative Ecstasy' T-Shirt</n>, a collaboration between <n>Berlinc</n> and <n>Reztokia</n>.

<n>beeldje voor beeldje</n> poster by <n>Wim Crouwel</n> for the <n>Stedelijk Museum</n>, 1963.

The <n>Wotruba Church</n> in Vienna, a <n>Brutalist</n> structure by <n>Fritz Wotruba</n>. Photo by <n>Florian W. Mueller</n>.

<n>Creative Ecstasy V2 Poster</n> by <n>Philip Rempel</n> for <n>REZTOKIA</n>, 2023.

<n>Typogram®</n> by artist <n>Kunel Gaur</n>, exhibited at the 2023 <n>DesignTO Festival</n>.

An Oppenheimer-inspired poster by graphic designer <n>Philip Rempel</n> of <n>REZTOKIA</n>.

Visual identity for the <n>ArXellence: 02</n> architectural competition, designed by <n>Smith & Diction</n>.

Prototype of the <n>Lobby Chair ES 104</n>, designed by <n>Charles and Ray Eames</n> in 1960. Photo by <n>Vitra Design Museum</n>.

<n>Helvetica The NFT</n>, a collaboration with <n>Monotype</n> and <n>Discover Elite Creatives</n>, launched at <n>NFT NYC</n>.

A page from the 1970 <n>New York City Transit Authority Graphics Standards Manual</n> by <n>Massimo Vignelli</n> and <n>Bob Noorda</n>.

Page from the 1980 <n>Herman Miller</n> identity manual, designed by <n>John Massey</n>.

Graphic identity by <n>thisisgrey</n> for <n>Sara Ramone</n>'s 2018 exhibition at <n>MMCR</n>.

Cover design by <n>Fatih Hardal</n> of <n>Hardal Studio</n> featuring the <n>FH Giselle</n> typeface.

Graphic design by <n>Samira Schneuwly</n>.

A contribution to <n>Similar High Hopes</n>, an AR zine by <n>WØRKS</n> studying utopian <n>brutalism</n>.

<n>Herman Miller logo</n> guide by <n>Herman Miller Corporate Communications Design and Development</n>, 1980.