A rendering of the <n>NOT A HOTEL NASU MASTERPIECE</n> villa by <n>Suppose Design Office</n>. CG by <n>HARKEN</n>.

Detail of the <n>Aluminium LED</n> by <n>Johannes Norlander Arkitektur</n>.

A page from the book <n>Thoravej 29</n> showing <n>House14a</n> by <n>pihlmann architects</n>.

A series of <n>Helmut Lang</n> ad campaigns from 1999-2001.

The book <n>Eschatology</n>, with art direction, design, and photography by <n>Due Studio</n>.

<n>Natalia Semanova</n> walks for <n>Thierry Mugler</n> Spring/Summer 1998 Haute Couture.

The <n>Sants Funeral Home</n> in Barcelona by <n>MIRAG Arquitectura i Gestió</n>, featuring the <n>AERO Bench</n>. Photo by <n>Del Rio Bani</n>.

<n>Taller de Arquitectura</n>, a <n>Brutalist</n> building designed by <n>Di Frenna Arquitectos</n>. 3D visualization by <n>Uli Architects</n>.

Programme for <n>24 hours Beuys</n> at <n>Kunstmuseum Basel</n>, designed by <n>Mario Nae</n> with the <n>Waldenburg</n> typeface.

Visual identity for the 2023 <n>Hong Kong International Photo Festival</n> by <n>Eddie The Studios</n>.

Branding for <n>Hosto</n>, an AI-powered platform for mid-term rentals, 2025.

The book <n>Data Centers: Edges of a Wired Nation</n>.

Model <n>Daria</n> photographed by <n>Ji Ye Dong Sheng</n> for the editorial <n>Hard Candy</n>.

The <n>Transformer sofa</n>, a one-off piece designed by <n>Ron Arad</n> in 1985.

<n>Casa Tejocote</n> by <n>González Muchow Arquitectura (GOMA)</n>. Photo by <n>César Béjar</n>.

A spread from the <n>Goldwin 0 Enquiry #4 ‘Chance Encounters’ catalogue</n> by <n>OK-RM</n> and <n>Daniel Shea</n>.

Model <n>Stella Tennant</n> in a campaign for <n>Chanel</n>.

<n>Formality Bench</n> by artist <n>Seungjin Yang</n>, 2023.

Custom Stainless Steel bench designed by <n>Wendy Andreu</n>.

Design concepts for the <n>ASICS</n> brand identity, created in 1977 by designer <n>Herb Lubalin</n> and the <n>PAOS</n> agency.

Campaign for the 2023 <n>Festival Mixtur</n> by <n>bakoom studio</n>, with motion by <n>Alvaro Studio</n>.

<n>Can Rafal Nou</n>, a residence in Ibiza with a <n>Wabi-sabi</n> aesthetic, designed by <n>Balzar Arquitectos</n>.

Digital rendering of <n>Casa FF</n> by <n>ʙs ᴀʀǫ</n>.

<n>Depot stools</n> by designer <n>Phil Procter</n> for <n>Depot Boijmans Van Beuningen</n>.

The <n>Roob-5</n> building in Tokyo, designed by <n>Edward Suzuki</n> in 1990. Photo by <n>Clique</n>.

<n>Meteora Posters</n> by <n>Quim Marin Studio</n>.

Spreads from the book for <n>Rzeszów</n>'s <n>European Capital of Culture</n> 2029 bid. Design by <n>Aleksander Znosko Studio</n>.

The <n>TETOTE NOTE</n> office building in Nagoya, Japan, designed by <n>Yoshihiro Kato Atelier</n> in 2017.

<n>Untitled 1 (‘Bandage the Knife Not the Wound’ series)</n> by <n>Broomberg & Chanarin</n>, 2018.

Book design for <n>Herman Melville</n>'s <n>Bartleby, lo scrivano</n> by <n>Federico Trevisan</n> and <n>Michelangelo Greco</n>.