Photograph by <n>Stephane Sednaoui</n> for <n>The Face</n> magazine's 1985 feature on <n>Jean Paul Gaultier</n>.

From the <n>Stroboscopic Experiment</n> series by Polish photographer <n>Wacław Nowak</n>, 1966.

Cover art for <n>Monochrome</n>, a 2020 song by the artist of the same name.

<n>Collateral</n> (2022), a digital artwork inspired by Orwell's "1984" and themes of alienation.

<n>Majorelle Blue</n>'s painting <n>Twins</n> (2025), from the exhibition of the same name at <n>Coulisse Gallery</n>.

Photo by <n>Mathieu Zarbatany</n> of <n>Adam Driver</n> for <n>Squarespace</n>'s 2023 Super Bowl ad, <n>The Singularity</n>.

<n>Eggplants</n> (2014), a painting by <n>Simone Haack</n>.

Cover art for the track <n>Monochrome (Club Mix)</n>.

A 1940 stroboscopic photograph of ballerina <n>Alicia Alonso</n> by <n>Gjon Mili</n> for LIFE magazine.

<n>Nu descendant l'escalier (hommage à Marcel Duchamp)</n> (1949) by photographer <n>Gjon Mili</n>.

Digital illustration by <n>Monochrome</n>.

<n>Tennis Player</n> (1949), a stroboscopic photograph by <n>Harold E. Edgerton</n> held at the <n>MIT Museum</n>.

An artwork titled <n>CROWD</n> from the <n>5G</n> project.

A performance of <n>The Rite of Spring</n> by choreographer <n>Pina Bausch</n>. Photo by <n>Yoshi Omori</n>.

Artwork by <n>Paul Elliman</n> for the <n>Al Que Quiere!</n> exhibition at the <n>Yale School of Art</n>, 1997-2017.

Photographer <n>Marcus Schaefer</n>'s "Untitled" (2020) from his <n>Mapping Subconsciousness</n> series.

<n>Stane Jagodič</n>'s photomontage, <n>Hommage à Eadweard Muybridge</n>, 1972.

"<n>Bobby Jones Multiflash Golf Swing</n>" (c. 1938) by photographer <n>Harold Edgerton</n> captures golfer <n>Bobby Jones</n>.

<n>Back Dive</n> (1955), a stop-action photograph by <n>Harold Edgerton</n>.

<n>Bobby Jones Golf Swing, Side View</n> (1938) by photographer <n>Harold E. Edgerton</n>.

The AI-generated artwork <n>Perpetual Dance</n>.

A photograph by <n>Harold Edgerton</n> demonstrating his pioneering stop-action photography technique.

Photograph of dancer <n>Melissa Hamilton</n> by <n>Spiros Politis</n> for the series <n>The Man Machine</n>, 2015.

<n>Chronophotographie d’un saut en longueur sans élan</n>, c. 1894, by <n>Georges Demenÿ</n>.

A digital collage based on an original artwork by <n>Martin Thompson</n>.

Patrick Tosani | SELF-PORTRAITS | MutualArt

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