40th surfline

A selection of late 80s VHS sleeves from <n>Polaroid</n>, <n>JVC</n>, <n>Kodak</n>, <n>Hitachi</n>, <n>Philips</n>, <n>Agfa</n>, and <n>BASF</n>.

<n>Phases of a Slinky 2</n> by <n>Chad Kouri</n>, 2014.

<n>Flag of Fontana</n>, Gozo. Digital file by <n>Mr. Vexillologist</n>.

Visuals for <n>Lu.Re</n> by illustrator <n>Óscar Raña</n>.

The 2019 risograph print <n>Interference</n> by artist <n>Joana C. Carvalho</n>.

<n>Abstract Minimalistic Pattern</n>, a <n>Minimalist</n> <n>geometric</n> wallpaper with a chromatic aberration effect.

Poster for <n>Brockhampton</n> at the 2018 <n>Capitol Hill Block Party</n>.

Cover art for <n>Jaeden Camstra</n>'s 2014 album, <n>Visual Arts</n>.

Illustration by <n>Nishant Choksi</n> for <n>The New York Times</n>, 2020.

La lección que estamos aprendiendo de Zoom (Published 2020)

<n>Senza titolo</n> (1969), an acrylic painting by Italian artist <n>Franco Grignani</n>.

A <n>Minimalist</n> and <n>Geometric</n> <n>Retro Wall Poster</n> with a <n>Bauhaus</n>-inspired color palette.

<n>Remnants From Kori</n> by artist <n>Liam Stevens</n>.