<n>Study for 'The River'</n> (1900) by <n>Otto Greiner</n>.

Frontispiece of the <n>Chansonnier cordiforme</n>, an illuminated manuscript commissioned by <n>Jean de Montchenu</n> c. 1475.

<n>Lettre sur les éléments de la gravure a l'eau-forte</n>, an 1864 etching by <n>Adolphe Martial Potémont</n>.

<n>Before the Mirror</n> (1873) by <n>Pierre-Paul-Léon Glaize</n>.

Fashion plate by <n>Henri Boutet</n> from <n>Les Modes Féminines du XIXe Siècle</n>, 1898.

<n>Family Relics</n> (1973) by <n>Alice Keelhoff</n>.

<n>Meditation</n> by <n>John George Brown</n>, ca. 1900.

<n>Jeune fille à la cruche</n> by <n>Adolphe Monticelli</n>.

<n>Terpsichore</n> (1869) by artist <n>Giuseppe Fagnani</n>.

Collage <n>La Siesta</n> from the series <n>There Must Be a Way</n> by artist <n>Anthony Gerace</n>.

An 1880 fashion plate from <n>Les Modes Féminines du XIXe Siècle</n> by artist <n>Henri Boutet</n>.

<n>A Swarm of Flies above a Spider's Web</n>, a 1872 watercolor by <n>Alexandre-Louis Leloir</n>.

Plate V from <n>Adam Wirsing</n>'s 1774 collection of marble engravings, <n>Marmora et adficta</n>.

<n>The Yellow Room</n> (ca. 1883–84), a watercolor by <n>James McNeill Whistler</n> depicting his London drawing room.

<n>Valentine</n> (ca. 1880), a chromolithograph by <n>Kate Greenaway</n> for publisher <n>Marcus Ward & Co.</n>

An illustration of <n>South German Blassen</n> pigeons by <n>Emil Schachtzabel</n>, published in 1906.

A plate from <n>Adam Wirsing</n>'s 1776 book, <n>Marmora et adficta, coloribus suis expressa</n>.

An etching from the series <n>Les Modes Féminines du XIXe Siècle</n> by <n>Henri Boutet</n>, 1902.

Plate IV from <n>Marmora et adficta, coloribus suis expressa</n> (1776) by <n>Adam Wirsing</n>.

<n>Valentine</n> (1876), an illustration by <n>Walter Crane</n>.

Fashion illustration from <n>Les Modes Féminines du XIXe Siècle</n> by artist <n>Henri Boutet</n>, 1894.

<n>Ren Yi (Ren Bonian)</n>'s painting, <n>Two Birds Perched on a Flowering Rose Bush</n>, 1881.

Painted plaster fragment from the ceiling of the <n>Tomb Chapel of Senenmut</n>, ca. 1479–1458 B.C.

<n>Mezzotint colour chart</n> by <n>Jacques-Fabien Gautier d'Agoty</n>, 1749.

A 15th-century floral illumination by the <n>Master of the Brussels Initials</n> from manuscript <n>BNF NAL 3194</n>.

<n>Ruins of a Roman Bath or Reservoir</n> (1786) by <n>Louis Gauffier</n>.