<n>Full Stop</n> (1961), a painting by artist <n>John Latham</n>.

<n>L-18-1973</n>, a 1973 lithograph by artist <n>Hans Hartung</n>.

<n>Untitled</n> (1967), a silkscreen print by <n>Lee Bontecou</n>.

<n>Study for Black and White #1</n> (c. 1952) by artist <n>Franz Kline</n>.

The book <n>New HEADS</n> (2017) designed by <n>Schaffter Sahli</n> for <n>HEAD – Genève</n>. Photo by <n>Dylan Perrenoud</n>.

<n>Typographic Composition № 010</n> by <n>Reforms RS</n>.

<n>Grief and Dread</n>, a 2003 screenprint by artist <n>Janice Kerbel</n>.

Janice Kerbel at Catriona Jeffries, Vancouver

'eternity,' a mixed-media animation by <n>Artem Bykov</n>.

<n>Milkweed</n> (1955) by artist <n>Lee Krasner</n>.

Designer <n>Mònica Losada</n>'s book <n>Desde el estándar</n>, exploring digital image-making tools.

A portrait of <n>Rora</n> by artist <n>kirilkazakov</n>.

BIG ABIGAIL, a work by artist <n>hagihara takuya</n>.

r2 design

Typographic composition by <n>R2</n>, a studio founded by <n>Lizá Defossez Ramalho</n> and <n>Artur Rebelo</n>.

<n>Untitled</n> (1957), an <n>Abstract Expressionist</n> painting by <n>Franz Kline</n>.

Cover for the magazine <n>manuskripte</n> (issue 23/24) by Czech artist <n>Jiri Kolar</n>, 1968.

Website design for <n>UY Studio</n> by <n>Sometimes Always</n>. Photo by <n>Tomas Eyzaguirre</n>, styled by <n>Billy Lobos</n>.

Poster for the <n>CCN – Ballet de Lorraine</n> 2015-2016 season. Design and photo by <n>Les Graphiquants</n>.

Brand identity for <n>Adelini</n>'s Summer-Autumn 2022 collection.

Digital collage for <n>The New York Times Magazine</n> by artist <n>Davidope</n>.

Poster for the <n>Werkschau Design</n> event, designed by <n>Jenny Konrad</n>, <n>Bianca Schill</n>, and <n>Klaudia Mazur</n>.

An abstract paper collage by artist <n>Sharon Etgar</n>.