design systems

Graphic by <n>Luke Cuellar</n> for <n>USC Football</n> celebrating the return of <n>Reggie Bush</n>'s 2005 <n>Heisman Memorial Trophy</n>.

<n>In the End, We'll All Become Stories</n> by artist <n>Beve</n>.

<n>10 Zürcher Maler</n> exhibition poster designed by <n>Armin Hofmann</n> for the <n>Kunsthalle Basel</n> in 1955.

Book design by <n>Dunya</n> for <n>Tinti</n>, an art project by the duo <n>benandsebastian</n>.

The <n>Multi Print Method Mockup 2.0</n> by designer <n>Rebecca Berrington</n>.

An illustration of a <n>Giant Waterlily (Victoria amazonica)</n> by <n>Katie Scott</n> from the book <n>Botanicum</n>.

Poster for the 1989 film <n>Violent Cop</n>, directed by and starring <n>Beat Takeshi</n>.

Poster for the <n>Run Fearless</n> campaign by studio <n>M35</n> for <n>Nike</n>.

От Уитни к Уорхоллу: личные бланки для писем

Poster for the <n>Bauhaus Ausstellung</n> (Bauhaus Exhibition) held in Weimar, Germany in July 1923.

Illustration of composer <n>Moondog</n> by <n>João Fazenda</n> for <n>The New Yorker</n>.

A 2001 print ad for the <n>Nokia 5510</n> mobile phone by agency <n>Sek & Grey Finland</n>.

Bronze sculpture <n>La Muse Endormie (Sleeping Muse)</n> (1910) by artist <n>Constantin Brâncuși</n>.

<n>Cacao Amigos</n> branding and packaging concept by designer <n>Sara Sun</n>.

The <n>Sahar 7632</n> carpet pattern from <n>Star Almas</n>.

‘[no title: p. 246]‘, Tom Phillips, 1970 | Tate

A spread from <n>Shape Sifting</n>, a visual essay by designer <n>Osvald Landmark</n>.

Packaging for <n>MOO:D MARK by ISETAN</n>.