Poster & Cover

<n>Jil Sander</n> <n>Blue & Red Flower Print Blanket</n> from the Spring/Summer 2021 collection.

Jil Sander Blue & Red Flower Print Blanket

Poster by <n>Corinne Ang</n> for the 2021 <n>RISD Graphic Design Spring Speaker Series</n>.

Corinne Ang uses bold typography and free flowing visuals in her eclectic projects

'<n>Sound in Print</n>', a 2025 sketch inspired by the <n>Arctic Monkeys</n> song '<n>Do I Wanna Know?</n>'.

Unwon visual identity proposal for the <n>Théâtre Sorano</n> 2025-2026 season by <n>Pépite</n>.

Spread from <n>The 1975</n>'s zine, <n>Being Funny in a Foreign Language</n>. Photo by <n>Samuel Bradley</n>.

Type experiment by artist <n>MANU PILLAI</n> for his design practice <n>PAMU</n>, 2025.

<n>Museum</n> (2016), a woodcut print by illustrator <n>Roman Klonek</n>.

Handmade collage artwork <n>Loveless</n>, inspired by the song by <n>New Order</n>, created in 2021.

Untitled painting by Moroccan artist <n>Mohammed Melehi</n>, c. 1971.

<n>Chris Ashworth</n>'s 2019 collage, <n>Typographic Sketch</n>, inspired by the music of <n>Aphex Twin</n>.

A poster for <n>The Black Box Elimination Initiative</n>, a conceptual project.

A 1998 <n>Ray Gun</n> magazine spread on <n>Jarvis Cocker</n>, photographed by <n>Wolfgang Tillmans</n>.

Magazine spread from <n>Ray Gun</n> issue 58 (1998) featuring <n>Robert Plant</n>, <n>Jimmy Page</n>, and <n>Dave Grohl</n>. Design by <n>Chris Ashworth</n>, photo by <n>Terry Doyle</n>.

An illustration announcing the <n>TOPAFF 2025 Ranking</n> of French festival posters, posted by <n>Dure Vie</n>.

Poster for the <n>das Kinderbilderbuch</n> exhibition at <n>Gewerbemuseum Basel</n>, 1959-1960.

Visual campaign for the <n>Versiona Thyssen</n> competition at the <n>Museo Thyssen-Bornemisza</n>, designed by <n>T.O.T</n>.

<n>Mon carnet de jeux</n> designed by <n>ECAL</n> and <n>Appelle Moi Papa</n> for <n>Le Voyage à Nantes</n>.

Poster for <n>WARE :a warehouse of documented</n>, the 2025 graduation exhibition by <n>Hongik University</n>.

<n>Salomon ACS+CSWP</n> footwear modeled by <n>Nicolas My</n>. Directed by <n>SERVICES GÉNÉRAUX</n> for <n>DDB Paris</n>.

Visual identity for the 17th <n>OFFTA, Festival d’arts vivants</n> using the <n>Forma</n> typeface.

Poster for <n>David Vanadia</n>'s exhibition, <n>Re-senti</n>, at <n>Atelier les animals Estampe</n> in 2024.

Poster for the exhibition <n>Microplastic Diet</n>, curated by <n>Mathilde Badie</n>. Photo by <n>Ismahane Poussin</n>.

Poster inspired by Palestinian tatreez for the <n>Posters x Gaza by ADG-FAD</n> solidarity initiative.

Poster for <n>L'Arbre Rouge</n> at <n>Jazzdor la Saison</n>. Design by <n>Helmo</n>, screenprint by <n>Lézard Graphique</n>.

Poster by <n>Pop & Pac</n> celebrating the <n>Helvetica</n> typeface, created by <n>Max Miedinger</n> in 1957.

Cover illustration for <n>Idea magazine</n> no. 30 by <n>Bob Gill</n>, 1958.

Covers from Japan's IDEA magazine • IDEA is a quarterly magazine published in Tokyo, Japan, renowned for its exceptional content, design, and minimalist aesthetic, 1958...1983.

Poster for the <n>Muestra de Talleres Ensamble</n> event at <n>Lucille Teatro</n>, produced by <n>Ramiro</n>.

Award-winning <n>Gravity Berlin #1</n> poster by <n>Robert Radziejewski</n> and <n>Michal Veltruský</n> for the 2022 event.