yin_n_yang

Poster for the <n>Podiumdorst</n> event at <n>VechtclubXL</n>, designed by <n>Vincent van Petten</n>.

Brand components from the <n>Metalab</n> rebrand.

<n>Automated Type Design</n>, a 2019 project by graphic designer <n>Daniel Wenzel</n>.

Cover art for the track <n>Lake City Quiet Pills</n> by <n>D3adRoom</n>.

Logo from the Japanese publication <n>Trademarks, Symbolmarks & Logotypes 1980-81</n>.

<n>Oscillon #39</n> and <n>Oscillon #11</n>, <n>Electronic Abstractions</n> by artist <n>Ben F. Laposky</n>, c. 1950.

A 1986 advertisement for <n>Stüssy</n> titled 'Chilin' with the new beat generation,' shot by <n>Ron Leighton</n>.

Poster for <n>Munich City Represents</n>, June 2019, by <n>Bureau Borsche</n>.

Graphic posted by creative communications agency <n>Praytell</n>.

Digital artwork <n>RIMX</n> by artist <n>Adam Littledale</n>, 2019.

<n>Happy Branding</n>, a 2019 screenprint by German artist <n>Eike König</n>.

Poster for the <n>Il Moderno d’Autore</n> exhibition, designed by <n>AG Fronzoni</n> in 1991.

The illustration <n>Soul Illustration</n>.

Poster titled <n>Ghouls</n> using the fonts <n>Smoosh</n> and <n>Cotta</n>.

The digital illustration <n>Zero</n> from the JPG A DAY project by design studio <n>Neuf</n>.

Brand identity for coaching platform <n>HOUSE OF ALIGNMENT</n>.

Harmonograph drawings from the book <n>Quadrivium</n>.

Poster for the <n>Towards a vernacular architecture</n> exhibition (2014) by <n>Diego Bontognali</n> and <n>Nicole Udry</n>.