Graphic poster <n>STAYC, ASAP</n> (2021) by designer <n>Jun Ki Hong</n>.

Cover design by <n>Herbert Matter</n> for the <n>Guggenheim Museum</n>'s 1967 <n>Paul Klee</n> retrospective catalog.

Cover of <n>Wolverine (1988) #37</n> with <n>Wolverine</n> vs. <n>Lady Deathstrike</n>. Art by <n>Marc Silvestri</n> and <n>Dan Green</n>.

Poster for the 1971 film <n>Trafic</n> by director <n>Jacques Tati</n>, with art by <n>Charles Dumont</n>.

<n>HIGH</n>, an AI-generated illustration by <n>Michael Dumay P.</n> using <n>Midjourney</n>.

<n>Asmarandana</n> by illustrator <n>Muhammad Fatchurofi</n>.

<n>L'addiction au Wi-Fi</n>, an illustration by <n>zhangsheng</n>.

<n>Perseus and Andromeda</n>, a 1978 lithograph by <n>Alekos Fassianos</n>.

<n>Deep Blue Sky No.3</n> (2013), a cyanotype by artist <n>Zhang Dali</n>.

"<n>O Team Brasileiro</n>" illustration for <n>Nike</n> by <n>Adriano Sato</n> with art direction by <n>Leone Damião</n>.

Poster by designer <n>JR Schmidt</n> exploring <n>Google</n>'s <n>Material Design</n> language for print media.

Udon-nou-kun and Shiba Inu-kun by <n>Tatsuro Kiuchi</n>.

Album art for the <n>xzxzxz - EP</n> by <n>lefthandsoundsystem</n>.

The <n>127 John Street Entrance Facade</n> (1968) by <n>Rudolph de Harak & Associates</n>. Photo by <n>Ezra Stoller</n>.

Poster for the <n>Efficiency Beurs</n> trade fair held at <n>RAI Amsterdam</n> in 1964.

<n>Phantom Black Hole</n> by artist <n>Daniel Martin Diaz</n>, used as the cover for <n>Lars Bartkuhn</n>'s album.

A minimalist photograph from the series <n>Pleasure Escapes of Everyday Life</n> by <n>Fabrizio Raschetti</n>.

<n>Untitled (Blue Divided by Blue)</n>, a 1966 <n>Color Field Painting</n> by <n>Mark Rothko</n>.

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