<n>ESTAMOS GOSTANDO DE TUDO, Notas sobre conforto</n>, a 2022 publication by <n>CLUBE</n> and <n>Will Cega</n>.

The cover for <n>Typographica 7</n>, designed by <n>Herbert Spencer</n> and published by <n>Lund Humphries</n> in 1963.

<n>Act 2: The Dive</n>, an illustration by <n>Yukai Du</n> for the <n>Clio Awards</n>' <n>FOREVER BOLD</n> campaign.

Sericel titled <n>Relp... It's the Green Ghost</n> from the <n>Scooby-Doo</n> series by <n>Hanna-Barbera</n>.

<n>when you stare into the abyss, the abyss stares back</n> by <n>Martín Ujdur</n>.

Title card from <n>F.W. Murnau</n>'s 1922 silent film, <n>Nosferatu, a Symphony of Horror</n>.

The 1972 album cover for <n>Can You Feel It</n> by funk/soul group <n>S.O.U.L.</n> Photo by <n>Joel Brodsky</n>.

Poster by <n>Karel Teissig</n> for <n>Rezo Chkheidze</n>'s 1964 film, <n>Father of a Soldier</n>.

Cover art <n>Symphony of the Damned</n> by <n>J. Allen St. John</n> for the April 1937 issue of <n>Weird Tales</n>.

<n>Zenit, No. 35</n> cover by <n>Jo Klek</n>, 1924.

Digital illustration by <n>smid.illustrations</n> featuring a <n>Happy Songs for Sad People</n> cassette tape.

A still from <n>Otto Preminger</n>'s 1944 film noir, <n>Laura</n>, with <n>Dana Andrews</n> and a portrait of <n>Gene Tierney</n>.

Collage by <n>Ana Flecha Marco</n> for the book <n>Sin noticias del mundo animal</n> by <n>Javier Echalecu</n>.