An illustration from the book <n>Becoming Supernatural</n> by <n>Dr. Joe Dispenza</n>.

A retro-style poster titled <n>It's Important To Leave Your House</n>.

A group of <n>ants</n> gather around a pool of <n>honey</n>.

Cover for <n>Typographische Monatsblätter</n>, 1964 Issue 1, designed by <n>Felix Berman</n>.

Stonework at the restoration atelier of <n>Galerie Chenel</n>, photographed by <n>Adrien Chenel</n>.

Plate XII illustrating a <n>Tesla Coil Discharge Between Small and Large Discs</n>.

White <n>South Sea pearls</n> from Australian pearling company <n>The AUTORE Group</n>. Photo from <n>The Jewellery Editor</n>.

<n>White Body Fan</n>, a 1972 performance piece by artist <n>Rebecca Horn</n>.

<n>Section of Wheat-Stem</n> by <n>Arthur E. Smith</n> from <n>Nature Through Microscope and Camera</n>, 1909.

Cover art for the journal <n>Bioengineering</n>'s special issue on trauma and injury biomechanics.

<n>Autumn Leaf Circle</n> by New Zealand sculptor and photographer <n>Martin Hill</n>.

Poster for the 2021 film <n>Everything in the End</n>, directed by <n>Mylissa Fitzsimmons</n>.

<n>Nu féminin dans l'eau</n> (1935) by photographer <n>Pierre Boucher</n>.

The cloister garden at <n>Pazo de San Lorenzo de Trasouto</n> in Santiago de Compostela, Spain.

The <n>Labyrinth of Chartres Cathedral</n> in France, constructed c. 1221. Photo by <n>Jim Forest</n>.

“I want everything quiet and simple. For me: walking barefoot, sitting still, reading, listening to stories, and now and then telling some myself. Eating fruit, drinking milk, longing to create, but with patience and many insights.”


— Rainer Maria Rilke, from a letter to Lou Salomé witten c. March 1904

<n>Labirinto di vetro</n> (1975), an installation by <n>Claudio Parmiggiani</n>. Photo by <n>Aurelio Amendola</n>.

Photo by <n>Rizvanovic Almir</n>, via <n>New Material</n> and <n>NOWNESS</n>.

A still from the music video for <n>Dreamcrusher</n>'s song <n>Metallic Mauve</n>, 2020.