<n>Watch The Sunset</n> editorial layout by designer <n>Hrvoje Kraljevic</n>.

Exhibition poster for <n>Jun Cen</n>'s solo show <n>小山/Diorama</n> at <n>Tsutaya Books</n> in Shanghai, 2023.

<n>Forms Derived from a Cube with Color and Black</n> (1984) by <n>Sol LeWitt</n>.

Poster for the <n>Tama Art University Open Campus</n> 2016, designed by <n>Rikako Nagashima</n>.

Poster for the <n>Maruyama Ōkyo and the Shijō school</n> exhibition, featuring painter <n>Maruyama Ōkyo</n>.

Cover of a book on architect <n>Richard Neutra</n> from the <n>Contemporary Architects Series</n>.

<n>Horizon Arch at Dawn</n> (2022) by <n>Angel Oloshove</n>. Photo by <n>Rye Francisco</n>.

Japanese poster for <n>Wim Wenders</n>' 1987 film <n>Wings of Desire</n>, designed by <n>Masakatsu Ogasawara</n>.

<n>Phases of a Slinky 2</n> by <n>Chad Kouri</n>, 2014.

<n>Kontinuität (Continuity)</n>, a 1947 sculpture by <n>Max Bill</n>.

Poster for the <n>дизайн-среда</n> event by designer <n>Victor Tyapkov</n>.

A typographic tribute to designer <n>Kenzo Takada</n>.

<n>Identityless</n> (2011) by <n>Meltem Eti Proto</n>.

Still from the film <n>LEAP INTO 2022</n>, directed by <n>nico</n> with choreography by <n>Matilda Fleberg</n>.

Brand identity for <n>The Institute of Sport</n>, a club by <n>GROCERY</n> and <n>On</n>, created by <n>Astrae Studio</n>.

Manner poster from <n>Tokyo Metro</n>'s 2010 <n>Please do it again</n> campaign, encouraging passengers to offer their seats.

<n>Rooftecture OT2</n> in Osaka, designed by <n>Shuhei Endo</n>. Photo by <n>Stirling Elmendorf</n>.