A performance of <n>Last Work</n> by the <n>Hessisches Staatsballett</n>. Photo by <n>A. Etter</n>.

Model <n>Cindy Crawford</n> photographed by <n>Arthur Elgort</n> in 1990.

The <n>Beige Travertie Round Sphere Incense Burner</n> by <n>Xuri Stone</n>, carved from solid travertine.

Dancers from the <n>Hessisches Staatsballett</n> perform <n>Last Work</n> by choreographer <n>Ohad Naharin</n>. Photo by <n>A. Etter</n>.

A concept schematic for the <n>Lascaux Mk.01 Doppelgänger-Class Cyborg</n>.

<n>Roses to Deaden The Clods as They Fall</n> for <n>Pap Magazine</n>, with choreography by <n>willowfenner</n>.

The <n>AVRORA Tank Top</n> by <n>LAVARICE</n>.

The <n>Life-Size Self-Portrait Skeleton Scarf</n>, a crochet artwork by <n>Fabienne Gassmann</n>.

<n>The Fool</n> tarot card from the <n>Tarot Botanica</n> deck by artist <n>Kevin Jay Stanton</n>.

Digital artwork <n>Cyber Shadows</n> by artist <n>RETOKA</n>.

<n>Maya Stepper</n> for the <n>Rag & Bone Icons Collection</n> 2022 campaign, shot by <n>Quentin De Briey</n>.

<n>White Washed</n> featuring <n>Claudia Schiffer</n>, photographed by <n>Marc Hispard</n> for <n>Elle US</n> in 1992.

<n>Training Camp</n> cover story for <n>SSAW Magazine</n> by photographer <n>Thibaut Grevet</n> featuring <n>Dior</n>.

<n>Lumen Print 1714 Geranium</n> by artist <n>John Fobes</n>.

The <n>AVRORA</n> cotton collection by <n>LAVARICE</n>.

Fashion editorial featuring model <n>Dasha</n>. Photo by <n>Álvaro Gracia</n>. Styled by <n>Cristina Mocong</n>.

The set design <n>Circle</n> by artist <n>Juan Righetti</n>.

A brand direction board by <n>The Glow & Grow Club</n>.

‘<n>Roses to Deaden The Clods as They Fall</n>’ for <n>Pap Magazine</n>. Photo by <n>Rocio Chacon Studio</n>.

Editorial <n>Roses to Deaden The Clods as They Fall</n> for <n>Pap Magazine</n>.