Cover for <n>Hana to Himitsu</n> (1964), written by <n>Hoshi Shin'ichi</n> with illustrations by <n>Wada Makoto</n>.

Shirt designed by <n>Workers For Freedom</n>, ca. 1987. From the collection of <n>The Metropolitan Museum of Art</n>.

An <n>Issey Miyake</n> ensemble from 1989, photographed by <n>Irving Penn</n>.

The painting <n>Untitled</n>, an oil on wood work.

A <n>Strawberry Moon</n> over Mykonos, Greece. Photo by <n>HIISHII</n>.

<n>Grace Dines</n>' <n>Holly Fern Study</n>, 2019.

Poster by <n>PARAT.cc</n> and <n>Nolan Paparelli</n> for <n>Gasteig München GmbH</n>. Photo by <n>Niko Havranek</n>.

<n>4 STONES ASSET PACK</n> by artist <n>Valentin Heinrich</n>.

<n>Poppies</n>, 2020, by photographer <n>Laura McCluskey</n> for <n>SIX.TWO Editions</n>.

Artwork by artist <n>Burina Daria</n> for her project <n>UGLY CUPID</n>.

<n>Shirt</n> by <n>Workers For Freedom</n>, ca. 1986. From the collection of <n>The Metropolitan Museum of Art</n>.

The publication <n>Haft-seen</n> by graphic designer <n>Hanna Karraby</n> explores the symbolic objects of Nowruz.

A look inside the book <n>The Very Nature of Materiality is an Entanglement</n> by <n>OK-RM</n> and <n>Lila Matsumoto</n>.

<n>Leonardo da Vinci</n>'s <n>Studies of the reflection of light from a concave mirror</n>, c. 1508.

<n>A Drop of Silence</n> by photographer <n>Francisco Gonzalez Camacho</n>.

An installation view from <n>Lawrence Carroll</n>'s 2014 exhibition <n>Ghost House</n> at <n>MAMbo</n> in Bologna.

<n>Mahfoutha Postcard</n> by <n>Cairopolitan</n>.

<n>The body of Iranian Champions</n>, a Persian typography exercise by <n>Fatemeh Farhanj</n> for <n>frontline.typo</n>.

<n>Poppies</n> (c. 1864), an albumen print by photographer <n>Charles Hippolyte Aubry</n>.

Cover of <n>How to See Plants</n> by <n>Eric Fitch Daglish</n>, published by <n>J. M. Dent & Sons Ltd</n> in 1932.

The publication <n>Conversation in Divergence</n>, designed by <n>Mario Nae</n>, features the <n>Synt</n> typeface.

Spread from the <n>Baltic Circle</n> publication <n>Developing Country of Social Relations</n>.

<n>Karl Blossfeldt</n>'s "Ferns I, Working collage," created before 1928.