Visual identity for the 2022 <n>Label Suisse Festival</n> in Lausanne, using the <n>Selecta</n> font.

<n>Brescia Sans</n> typeface by <n>Gummy Industries</n>.

<n>Mānuka</n> typeface by <n>Klim Type Foundry</n>, used in <n>INQUE magazine</n> designed by <n>Matt Willey</n> and <n>Dan Crowe</n>.

<n>G2 Airdancer</n> typeface by <n>Gruppo Due</n>. Originally designed in 2018, the variable font captures movement.

<n>Reset Sans</n>, an ultra-condensed sans-serif typeface designed for an exhibition at the <n>Center for Architecture</n>.

<n>Motter Ombra</n>, a typeface created by designer <n>Othmar Motter</n> in 1972.

<n>Rukh</n> is a typeface developed by <n>Kaam Kaaj Studio</n>.

The <n>G2 Airdancer</n> typeface by <n>Gruppo Due</n>, a variable sans-serif font.

A new typeface for the <n>Bayerische Staatsoper</n>, designed by <n>Samara Keller</n>.

<n>Sigfrid Cremer</n>'s print "<n>alphabetbild</n>" (1966), created in Stuttgart.

The typeface <n>Mario</n>, AI-generated from drafts by calligrapher <n>Mario Salvi</n>.

BN T.B.D. typeface designed by <n>Brandon Nickerson</n> in 2024.

Poster by <n>Mica</n> and <n>Jahn Koutrios</n> for a <n>Bálint Dobozi</n> concert, using the <n>Eurocat</n> typeface. 2023.

Typeface for the <n>Smith Quarterly</n> redesign by <n>Pentagram</n>, <n>Diana Ovezea</n>, and <n>Barbara Bigosińska</n>.

The <n>Alfredino Semimono</n> typeface, designed by <n>Nicolò Tromben</n> of <n>Supernulla</n>.

The <n>Academic</n> typeface, designed by <n>Javier Unknos</n> for the <n>Type@Cooper Extended Program</n> in 2024.