τέχνη 🜨

The <n>Office Fun #001 Opening</n> at <n>Design Office</n> in Barcelona. Photo by <n>Harry Escott</n>.

<n>204 Type-Gazette Issue 05</n> from <n>Bauhaus-Universität Weimar</n>, designed by <n>Ames Grund</n>, <n>Nic Möckel</n>, and <n>Nora von Zahn</n>, 2025.

Handsewed zine by <n>Hugo Rita</n> for <n>Norwegian Rain</n>.

'<n>Where are we? Just wait and sea</n>,' a book dummy by <n>소영</n> with photos by <n>soo</n> for <n>Artists’ Book Workshop</n>.

Invitation for the <n>Maison Martin Margiela</n> Spring/Summer 2008 show, a miniature television set.

<n>204 Type-Gazette Issue 05</n>, designed by <n>Ames Grund</n>, <n>Nic Möckel</n>, and <n>Nora von Zahn</n>.

Outtakes of <n>Kate Moss</n> by <n>Mario Sorrenti</n> for the <n>Calvin Klein</n> Obsession campaign, 1993.

Spread from <n>46pgs. Magazine</n>'s <n>Last Kiss</n> issue featuring <n>Iggy Pop</n>. Photo/design by <n>Sean M. Smith</n>.

Photograph by <n>Sergei Vasiliev</n> from the <n>Russian Criminal Tattoo Encyclopaedia</n>.

Studio Proof NV-066 from the archives of <n>Copyright/Reserved</n> and <n>NOUV°</n>.

Poster for <n>Creator Nights</n> with guests <n>Brit MacRae</n> and <n>Lauren Howe</n> on June 12, 2025.

Artwork by <n>Keith Kitz</n> in <n>LAST KISS</n>, the final issue of <n>46pgs.magazine</n>, art directed by <n>Samuel Eller</n>.

<n>The Boutique</n>, an event space at the <n>NVRLND. Arts Foundation</n> in Calgary.

Poster for the <n>FUCHS2</n> February 2014 programme in Prague, designed by <n>Kristýna Kulíková</n>.

A spread from a book on <n>Lorin Brockhaus</n>'s work "<n>Cases/Contents</n>". Photo by <n>Emilia Trog</n>.

Album art for <n>Lip Critic</n>'s album <n>Kill Lip Critic</n>.

A page from <n>Alice.D Magazine Issue 11 CTL ALT DLT</n>, printed by <n>Print Logistics</n>.

Typography by <n>Paul Sych</n> for an interview with model <n>Oliver Brynnum</n> in <n>46pgs. Magazine</n>.

The book <n>Le mur</n> by architect <n>Jesús María Aparicio Guisado</n>. Graphic design by <n>Spassky Fischer</n>.

<n>Kadō 生け花</n>, a book by <n>Vrints-Kolsteren</n> and <n>Wanwai Shum</n>, handbound by <n>森版画工房</n>.

Book design by <n>Gabriel Finotti</n> for a 2019 compilation of essays by <n>Frantz Fanon</n>.

A page spread from the book <n>Void ( )</n>.

<n>Permacomputing as a practice for digital graphic design</n>, a publication by <n>Hannah Gmeiner</n>.

The inaugural issue of <n>Isdar Mustaqel</n>, a design journal by <n>40MUSTAQEL</n>. Photo by <n>Sherifa Hamid</n>.

Booklet for the <n>Translation of Body Archives</n> exhibition from <n>HfG Offenbach</n> and <n>KlasseKlasse</n>.

Photo by <n>Jean-Pierre Meier</n> for <n>Numéro Berlin</n>, with graphic design by <n>Bureau Borsche</n>.

Graphic for <n>Cadence</n>, a collaboration with <n>View Source (Ideas. Aesthetics. Code.)</n>.

A concept book for <n>Photo London</n>, made with <n>PermaJet Matt Proofing 160</n> paper.

A graphic for <n>MARVIN Issue #16</n>, a collaboration between <n>Marvin Scott Jarrett</n> and <n>Chris Ashworth</n>.

<n>Monochrome</n>, a visual identity for a fictional textile exhibition by <n>StudioPaack</n>.

A still from the 1990s TV series <n>Hi-Octane</n>, created by <n>Sofia Coppola</n> and <n>Zoe Cassavetes</n>.

Newspaper designed by <n>Scott Vander Zee</n> for the <n>Most Beautiful Swiss Books exhibition</n> at <n>Pratt Institute</n>.