Deep Roots, a photograph by <n>Liam MacRae</n> for <n>Stüssy</n> from the series “S”, 2021.

<n>Outside</n> (2010), a photograph from the <n>Californian Topiary Series</n> by artist <n>Marc Alcock</n>.

Photograph of an ice-capped mushroom by <n>John Richter</n>.

Photo of a plant-filled office cubicle by <n>alfexe</n> for <n>Getty Images</n>.

<n>Robert Howsare</n>'s <n>Drawing Apparatus</n> uses two <n>Technics</n> turntables to create complex patterns.

A cubicle dweller's garden. Photo by <n>Getty Images</n>.

The <n>Jakob Factory</n> in Vietnam by <n>rollimarchini architekten</n> and <n>G8A Architecture & Urban Planning</n>. Photo by <n>Hiroyuki Oki</n>.

<n>The Water</n>, a 2017 installation by <n>Hiroshi Sambuichi</n> at <n>Cisternerne</n> in Copenhagen. Photo by <n>Rasmus Hjortshøj</n>.

Brand identity for youth organization <n>FLOR</n>, designed by <n>Barkas</n> with typography by <n>Out of the Dark</n>.

The <n>Moss iMac</n> artwork by <n>Willem</n>.

Hello | George & Willy

The logo for <n>Christchurch Christmas Trees</n>.

<n>Outside</n> (2010) from the <n>Californian Topiary Series</n> by <n>Marc Alcock</n>.

<n>The Water</n> installation by <n>Hiroshi Sambuichi</n> at <n>Cisternerne</n>, 2017. Photo by <n>Rasmus Hjortshøj</n>.

<n>Apocalypse Now Coffee Table</n> by <n>Carlo Forcolini</n>, 1980s.

Surrealist still life collage using holly leaves by artist <n>Martha Haversham</n>.

Contrasting forms. Garden design by <n>Kathryn Herman Design</n>.

<n>Macintosh Concrete</n>, a sculpture by designer <n>Kevin Noki</n>.

<n>Gardenia Apartments</n> in Costa Rica by <n>Studio Saxe</n>, 2022. Photo by <n>Andres Garcia Lachner</n>.

The letter S from the project <n>26 Moving Letters</n> by graphic designer <n>Marta Azaña</n>.

From the 1986 book <n>Decorating With Plants</n> by <n>Terence Conran</n> and <n>Susan Conder</n>.

<n>Green</n>, a diagram on color psychology in branding. Credit to <n>In-house PR</n>.