A lineup of <n>Porsche 917</n> race cars at their presentation in 1969, a project led by <n>Ferdinand Piëch</n>.

A still from <n>Wim Wenders</n>' 1984 film <n>Paris, Texas</n>, featuring <n>Harry Dean Stanton</n>.

<n>Tracks III</n> (2022), a charcoal print by <n>Caroline Corbasson</n> with <n>andrea montano</n> and <n>SCHÉMA</n>.

From the <n>Hidden Tenerife</n> travel campaign, 2019. Photo by <n>Franz Grünewald</n>.

<n>Hands Montage</n> by the artist <n>Man Ray</n>.

<n>Marigolds for the dead</n> by photographer <n>Joseph Pickard</n>, captured in Mexico City in 2018.

Actor <n>James Dean</n> and mechanic <n>Rolf Wütherich</n> with a 1955 <n>Porsche 550 Spyder</n>.

A film still from <n>La Pointe Courte</n> (1955), directed by <n>Agnès Varda</n>.

Embracing the Transition by <n>ærme</n>.

<n>Samuel L. Jackson</n> as <n>Jules Winnfield</n> in <n>Quentin Tarantino</n>'s 1994 film <n>Pulp Fiction</n>.

<n>Fleurs de la passion</n> (c. 1924) by <n>Man Ray</n>.

Generative art by <n>Yancy Way</n> (echophon).

<n>Untitled</n> (1930), a solarized photograph by Surrealist artist <n>Man Ray</n>.

<n>K2</n> photographed by <n>Vittorio Sella</n> in 1909 during an expedition led by <n>Prince Luigi Amedeo, Duke of the Abruzzi</n>.

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