J’AI UN BACKGROUND OK

<n>Ripples</n>, a generative artwork by <n>Order of Magnitude</n>.

From the documentary film <n>Sacred Fear</n>, directed by <n>Petr Horký</n>.

<n>Over Thinking Over</n> by <n>Benedikt Luft</n>.

<n>Swimmers, Ironman Triathlon, Hawaii</n> (1983) by photographer <n>Wayne Levin</n>.

A teaser for <n>LOVE REPUBLIC STUDIO</n>.

A view of <n>Tomás Saraceno</n>'s <n>Particular Matter(s)</n> exhibition at <n>The Shed</n>, 2022. Photo by <n>Dario Lasagni</n>.

Abstract photograph of a sunset through textured glass by <n>Jonas Denil</n>, 2019.

<n>MEIZU 18 Pro Dynamic Wallpapers</n> by artist <n>PENG GUO</n> for <n>MEIZU</n>.

<n>Osmosis</n> (1999) by artist <n>Alvin Booth</n>.

Chromosaturation | Interactive art installation, Interactive art, Light installation

The iconic head explosion from <n>David Cronenberg</n>'s <n>Scanners</n> (1981), featuring actor <n>Louis Del Grande</n>.

<n>Anthropométrie de l’époque bleue, (ANT 82)</n> by <n>Yves Klein</n>, 1960.

<n>NOCTA</n>'s <n>Cardinal Stock</n> Summer 2025 collection, photographed in London.

<n>Jil Sander</n> Spring/Summer 2023 campaign by <n>Lucie and Luke Meier</n>, photographed by <n>Chris Rhodes</n>.

A photograph from the <n>Vigil</n> series (2018) by <n>Laura Makabresku</n>.

Morocco, 1981. Photo by <n>Harry Gruyaert</n>.

A self-portrait photograph by <n>Laurence Demaison</n>.