Business cards for curator and arts advisor <n>Ginger Rudolph</n>.

<n>Sunday Television</n> by <n>The 猫 シ Corp. Channel</n> on Beach Ball Tri-Color vinyl, released in 2019.

<n>My Chair Can Walk</n> poster by <n>JOE DIVER</n>, inspired by <n>WAKA WAKA</n> and <n>MOUTHWASH Studio</n>.

Model <n>Evan Clark</n> shot by <n>Antosh Cimoszko</n> for <n>Stüssy</n>'s <n>Speedway Summer 2018</n> collection.

From the <n>2021 - Illustrations</n> series by artist <n>Máté Szabó</n>.

Poster for <n>Nike Running</n> created by the studio <n>M35</n> in 2018.

The <n>Ann Tote medium in Soft Calf Beige</n> by <n>Ree Projects</n>.

A look from <n>Heliot Emil</n>'s Spring/Summer 2025 <n>'Cultural Construct Artificial Landscape'</n> collection.

A <n>Back to the Future</n> fan poster, part of a 30-day design challenge by <n>@prateeks.design</n>.

Poster for the <n>58th Taipei Golden Horse Film Festival</n> in 2021, designed by <n>Bito</n>.

<n>Deep Blue Sky No.3</n> (2013), a cyanotype by artist <n>Zhang Dali</n>.

Packaging and presentation design for <n>EASTCOTTON</n>, 2021.

<n>Olympus Mons</n> graphic design using the <n>Evangelion</n> typeface.

Album art for <n>Wolf Eyes</n>'s 2013 album <n>NO ANSWER = LOWER FLOORS</n>, using a still from <n>Jaws</n> (1975).

Actor <n>Ian McKellen</n> as <n>Gandalf</n> on the set of <n>The Hobbit: An Unexpected Journey</n> (2012).

The <n>Spekta</n> typeface, a <n>Neo-Grotesk</n> design by <n>Connor Lyon</n> of <n>ProtoType Labs</n>, 2022.